Cursor Gallery - Center for Contemporary Arts Prague Curators: Tomáš Knoflíček and Kateřina Štroblová Opening: 17. 6. 2025 from 6 PM The exhibition will last: 18. 6. – 31. 8. 2025 Dukelských hrdinu 500/25a, 170 00 Praha 7 Participating artists: Comunite Fresca, Petr Dub, Martin Froulík, Matej Gavula, Marek Kvetan, Libor Novotný, Stano Masár, Janis Rafa Motto: Modern man is the architect of his own decadence (Raffaele Simone: Il Mostro Mite) In the middle of a wasteland, at a time when the world is crumbling into dust, stands a mansion. The grandiose architecture embodying power, order and continuity, is turning into a memorial space whose past is slipping into oblivion. The owner of the mansion, a symbol of superior rationality and false certainty, is unaware that the world to which he belonged is ceasing to exist. He continues to observe rituals, insists on rules, but the mirrors on the walls around him are already blind, the walls are damp, and the tapestries are turning into maps of lost worlds. The mansion serves as a metaphor for civilisational self-deception; just as it survives the collapse of its surroundings, so, too, do social institutions and discourses survive, but only as form without substance, inertia without meaning. Continuity cases to be a support. The facade of majesty becomes a stage for decline. "This World as We See It Is Passing Away". Paul Virilio’s paraphrase of Paul of Tarsus, adopted as the title of this exhibition, for us encapsulates perfectly the eternal conflict between birth and decay. Everything visible to the eye at the moment of seeing becomes a mere lie of immediacy, an untimely inspection of a convoy of objective elements. The state in which reality disappears between our fingers at the moment we grasp it is simply an irreversible, albeit paradoxical, premise of experiencing the quotidian. The only way to disrupt it would be to stop time. However, as Virilio suggests again, in order to achieve a complete halt in the passage of time, we would need to embrace something even more absurd – to renounce utterly all action. To totally empty our conduct. There is nothing vaster than emptiness, claimed Francis Bacon. One might add, with a degree of irony, that there is nothing more disturbing. Today it is primarily consumption – and, in a narrower sense, technology – that leads to the denial of the growing void in each of us. And because the hypermodern world can no longer tear itself away from science, the question raised by Oswald Spengler during the First World War in his book The Decline of the West resurfaces. Has our culture not already exhausted all possibilities of creativity and completed the shaping of its form, so that it can now only maintain itself in a status quo, where quality is replaced by quantity and creativity by organisation and technology? This exhibition attempts to respond to this emptiness, not with cynicism, but with an effort to understand the silence that remains after the “fall” of the system. It collects shards, traces the gaps between signs, subverts symbols, and disrupts continuity. It works with deceleration, the fear of transience, and sentimentality. It exhibits escape, loss of judgement and the ability to live in the midst of the end – as though something was left to hold onto. Tomáš Knoflíček and Kateřina Štroblová transl.: Phil Jones

NOTES ON (HISTORY) ART: House of Fun and Possessions (Milena Bartlová) Review of Hans Kelsen's Memorial Plaque in the June issue of Art & Antiques...

Huge Little Things Exhibition of the Painting Studio IV of the Academy of Fine Arts in Prague Water Tower Žižkova Street, Tábor Opening: 7. 5. 2025, 5:00 p.m. Exhibition duration: 8. 5. - 1. 6. 2025 Artists: Filip Brandejský, Petr Dub, Žofie Eder, Petr Holeček, Petr Horvát, Matouš Kašpar, Jiří Klimenta, Barbora Koblasová, Samuel Kubíček, Marek Meduna, Karolína Nečadová, Hedvika Ocásková, Jitka Petrášová, Pavel Petřík, Lucie Pouchová, Ema Prosová, Lukáš Prudík, Matěj Radosta, Kryštof Rajdl, David Schwarz, Enisa Skoko, Sara Alisa Soualamia, Ludmila Staňková, Viktor Šlegl and János Vámos

How is it to live and work as an artist abroad? How much does it cost to live as an artist in Berlin and Austin? What does leaving Bohemia mean for an artistic career? Is such a step a challenge or a limit? And how do representatives of different generations see the topic? Dominik Adamec, a recent graduate of the Academy of Fine Arts, a recent laureate of the Jindřich Chalupecký Award, and Jiří Příhod, a former teacher at the academy, openly talks about his work on the Prague-Austin-Berlin route. https://avu.cz/stranka/jak-se-zije-v-zahranici-jiri-prihoda-a-dominik-adamec Moderator: Petr Dub Sound: Roman Štětina Production: Marie Zichová Publisher: Academy of Fine Arts in Prague

Hana Drštičková: Timelessness of Endless Work The group exhibition (S)change at Pragovka Gallery critically addresses the topic of employment in the contemporary world. The authors ask who we do it for and how much of our lives we devote to wage labor. Read more at Artalk.cz...

(Ex)change at Artalk.cz Pragovka Gallery 24. 1. – 27. 3. 2025 Curator: Nina Moravcová Artists: Zbyněk Baladrán, Petr Dub, Alena Kotzmannová, Artur Magrot, Janek Rous, Lucia Tkáčová, Anetta Mona Chisa, Daniel Vlček, Ivan Vosecký, Dušan Zahoranský, Skupina Ládví  

Can art exist without collusion – an agreement about art? Is it necessary to graduate from art school for artistic practice? What is it like to be an artist if you have not studied art? Are alternatives to institutional art important? And if so, why? Luboš Plný and Lenka Vítková discuss their path to art, the artistic canon, and artistic trends. https://avu.cz/stranka/bez-avu-lubos-plny-a-lenka-vitkova Moderator: Petr Dub Sound: Roman Štětina Production: Marie Zichová Publisher: Academy of Fine Arts in Prague

Why collect art and what does it mean to build an art collection with unlimited capital? How “private” should private art collections be? Why is painting a preferred collector’s commodity? And why don’t NFTs work as collectors? Is there artwashing in our country? And how should we approach art? What is the social role of private collectors? In the new episode, Petr Dub offers a look behind the scenes of two significant domestic collections – the Pekelné sáně art collection and the Pro Arte art investment fund. He invited Alexandra Bízková, who works as CFO at Pro Arte and, as she says, acts as an imaginary bridge between artists and investors, and Josef Maixner, who is currently building a new art gallery in Kroměříž, to the AVU studio. https://avu.cz/stranka/kdo-a-proc-sbira-umeni-alexandra-bizkova-josef-maixner Moderator: Petr Dub Sound: Roman Štětina Production: Marie Zichová Publisher: Academy of Fine Arts in Prague

(Ex)change 24. 1. – 27. 3. 2025, Pragovka Gallery Exhibiting artists: Zbyněk Baladrán, Petr Dub, Alena Kotzmannová, Artur Magrot, Janek Rous, Lucia Tkáčová a Anetta Mona Chisa, Daniel Vlček, Ivan Vosecký, Dušan Zahoranský, Ládví Kurátorka: Nina Moravcová The group exhibition (S)měna sets out the field of our joint research. In it, we become cartographers of the invisible. We focus our attention on the imaginary movers of our steps, who define the trajectories of our movement, define our routines and personal or collectively shared desires on a daily basis, although we often forget this.

Architecture at the Academy of Fine Arts through the eyes of different generations. How much has the field changed since the Velvet Revolution? What approaches have no less significant personalities, such as Emil Přikryl or Miroslav Šik, taken to the legacy of the architectural schools of Josef Gočár, Jan Kotěra, Otakar Novotný, Jaroslav Frágner or František Cubr? How to teach architecture? And is architecture more of an art or a craft? https://avu.cz/stranka/architektura-po-avu-vit-maslo-a-lenka-millerova Moderator: Petr Dub Sound: Roman Štětina Production: Marie Zichová Publisher: Academy of Fine Arts in Prague

Petr Dub: "We expect innovation from art, but too many new truths about the world cannot be found in it." Read more here...

Petr Dub for the program: Shared proximity. What does the current AVU offer? Czech Radio, Vltava station: https://vltava.rozhlas.cz/sdilena-blizkost-co-nabizi-soucasna-avu-9315875

What connects contemporary art and restoration? What ideal preparation should AVU graduates have for their subsequent practice? What positions do they usually end up in, or start in? And what are the subsequent conditions of domestic restoration practice, including contemporary trends? Moderator Petr Dub discussed these topics, as well as cases related to restoration, with curator Marie Foltýnová, head of the Public Sculpture Administration Department of the Gallery of the Capital City of Prague, and restorer Klára Žán Valentová, an AVU graduate. https://avu.cz/stranka/praxe-restauratorstvi-marie-foltynova-a-klara-zan-valentova Moderator: Petr Dub Sound: Roman Štětina Production: Marie Zichová Publisher: Academy of Fine Arts in Prague

What is it like when professional paths diverge in a family? What do art and economics have in common? Is a sense of stability more important in life or, conversely, creative confrontation? And are generational views on the development of the last 30 years fundamentally different? These are not the only questions answered by Jiří Kovanda, an artist and long-time AVU teacher, together with his son Lukáš Kovanda, chief economist at Trinity Bank. https://avu.cz/stranka/rodina-kariera-a-umeni-jiri-kovanda-lukas-kovanda Moderator: Petr Dub Sound: Roman Štětina Production: Marie Zichová Publisher: Academy of Fine Arts in Prague

Petr Dub at Pecha Kucha Strakonice 4. 10. 2024, 20:20 p.m. Teplárna, Komenského 59, 386 43 Strakonice 1

Holec Contemporary Art Collection Opening: 6. 9. 2024 17:00 The exhibition will last: 5. 9. 2024 - 8. 9. 2024 Venue: Jeruzalémská, Jeruzalémská 964/4, 110 00 Nové Město 964/4, Praha 1, Prague, 110 00 Artist: Jan Kaláb, Krištof Kintera, Jiří Georg Dokoupil, Petr Dub, Ira Svobodobvá, Damien Hirst, Lu Jindrák Skřivánková, Jiří Franta & David Böhm, Michal Škapa, Vladimir 518, Pavel Dušek, Julius Reichel, Jakub Matuška aka Masker, Matěj Olmer, Michal Cimala, Samuel Paučo a další  and others Curator: Pavel Kubesa  

Is it appropriate to contract a similar relationship? When should you sell your art, and under what conditions? What should the ideal relationship between artists and a private gallery look like? What do both parties offer and what are their realistic expectations? Is it possible to economically plan your own career in the long term? https://avu.cz/stranka/jak-neprodavat-umeni-patrik-adamec-blanka-cermakova Moderator: Petr Dub Sound: Roman Štětina Production: Marie Zichová Publisher: Academy of Fine Arts in Prague

Many graduates of art schools teach at art schools. But what is it like to teach art? How to combine one's own artistic creation with teaching, what is the most interesting and what is the most difficult? And how do teachers see the shift in the expectations of today's students? The invitation of moderator Petr Dub to the studio after AVU was accepted by artist and teacher Tereza Velíková at the Higher Vocational School of Graphic Arts and the Secondary Industrial School of Graphic Arts in Prague, together with artist Evžen Šimera, co-founder and director of the Higher Vocational School of Scholastika. https://avu.cz/stranka/prijimacky-na-avu-a-jak-po-skole-ucit-evzen-simera-tereza-velikova Moderator: Petr Dub Sound: Roman Štětina Production: Marie Zichová Publisher: Academy of Fine Arts in Prague

What are the specifics of gallery work with the youngest generation? What does curatorial work with people who “arrive” and are then “replaced” by new young people entail? Does the domestic art scene function in intergenerational symbiosis? Where are the centers of contemporary domestic and foreign art located? Are these physical or virtual places? And do we need similar categories? Marika Kupková & Karina Kottová accepted the invitation of moderator Petr Dub to the PO AVU studio. https://avu.cz/stranka/mladi_vs_institucionalni_praxe Moderator: Petr Dub Sound: Roman Štětina Production: Marie Zichová Publisher: Academy of Fine Arts in Prague

Petr Dub Dvě německá slova v českém veřejném prostoru

Formal opening of the Hans Kelsen memorial plaque 22. 7. 2024, 3:30 p.m.

Curator: Petr Agha Investor: Máj Národní a.s. Location: Národní 63/26, Praha 1, Nové Město, Česká republika, 50°4′55,92″ s. š., 14°25′10,92″ v. d.

The meeting will take place with the participation of the Austrian ambassador Dr. Bettina Kirnbauer and constitutional judge prof. JUDr. Jiří Přibán, DrSc..

Press Release (web 34 MB): http://client.studioflusser.com/PETR/24_petr-dub-HANS-KELSEN.zip Press Release (print 1,25 GB): http://client.studioflusser.com/PETR/24_petr-dub-HANS-KELSEN_PRINT.zip

The fifth episode of the PO AVU audio podcast entitled: What taxes? Copyright law brings valuable advice to recent art school graduates in the areas of art law, taxes, specifics in the context of self-employment, copyright law and other labor law aspects that visual artists face at the beginning of their artistic practice. Michal Adamovský and Martina Hájková accepted the invitation of moderator Petr Dub to the PO AVU studio. https://avu.cz/stranka/jake-dane-autorske-pravo-michal-adamovsky-martina-hajkova Moderator: Petr Dub Sound: Roman Štětina Production: Marie Zichová Publisher: Academy of Fine Arts in Prague

Zbyněk Baladrán, Petr Dub, Zhanna Kadyrova, Alena Kotzmannová, Artur Magrot, Dušan Zahoranský ZAHORIAN & VAN ESPEN Curator: by Nina Moravcová Opening: 12 July 2024, 18:00 Venue: Mierová 7, Ružinov, Bratislava

We present the "Atlas of Contemporary Collecting" balancing the development (collections) of contemporary art and providing more general comments on collecting and art practice in general. The book launch, with the participation of members of the Sbírka Marek collective, catalog editors and many others who participated in it, is also conceived as a concert of live performers of contemporary electronic music. Marek Collection - Catalogue Launch Ed.: Ivana Hrončeková, Marika Kupková a Silvie Šeborová Graphic design: Adam Macháček, 20YY Designers Venue: Kabinet MÚZ, Sukova 49/4, 602 00 Brno, 22. 6., 6:30p.m. More at: https://marekcollection.cz

A real confrontation with art cannot be replaced by browsing social networks. Petr Dub for Czechdesign...

II. block: Art teaching at universities and its social implications 12:00 Petr Dub: PO AVU (Academy of Fine Arts in Prague) Event: zde... Venue: The Moravian Gallery Museum of Applied Arts in Brno, Husova 14, 662 26 Brno Brno Art Week is a platform connecting Brno exhibition institutions and schools with an artistic focus. Together we create a weekly program consisting of a gallery and the original program created specifically for art week. The twelfth Brno Art Week will take place in an online environment. You can look forward to the already well-known tracing format and special television broadcasts of the Department of Art Education, Faculty of Education, MUNI, as well as big videos about the graffiti scene in Brno and fashion designer Dominica Kozáková, urban legends of individual galleries, a symposium on digital curation. art warm-ups! We are also preparing a number of guided walks through art in the public space of the city of Brno, which you can use to be inspired and to go around the selected places yourself. In addition to important sculptural realizations, one of the walks will also focus on the topic of monument care and demolition, or insensitive reconstructions of historically valuable buildings in the wider city center of Brno. Take a look at the Brno art scene together with us. Be a part of it! Because there is strength in unity!

Design propasal of the Prague Uprising monument and modification of Náměstí Interbrigády (CMC architects + Petr Dub) at Czechdesign...

The jury of the Magnesia Litera  award recommends: Monograph Petr Dub: Painting department in the wider nomination of the "Literature for publishing act" category in 2024 (Institute of Contemporary Art Prague and studio Aparat). "The author is a contemporary artist, theoretician and curator, and the book is an excellent, richly and precisely executed catalog of his work, which includes installations, visualizations and objects. Graphically generously and dynamically edited, the content of the book is divided into three parts, which is underlined by the alternation of paper types, contrasts small subjects vs. large-format photos and almost empty pages, thus still maintaining the tension and attention of the reader..."

PETR DUB: PAINTING DEPARTMENT Main texts: Petr Dub, Václav Hájek, Marek Meduna, Andrea Průchová Hrůzová Additional texts and interviews: Petr Agha, Matej Al-Ali, Jean Baudrillard, Jana Bernartová, Monika Čejková, Petr Dub, Marcel Fišer, Vendula Hnídková, Domenico de Chirico, Ondřej Chrobák, Zuzana Jakalová, Edit Jeřábková, Tomáš Knoflíček, Marika Kupková, Hynek Látal, Nina Michlovská, Milan Mikuláštík, Pavel Netopil, Tomáš Moravec, Michal Pěchouček Design: Tomáš Vrba (Aparat) Translations and proofreading: Zdeněk Havlíček Collaboration: Miroslav Jiřele, Pavla Kosař (Etcetera Art) Main photo: Zdeněk Porcal (Studio Flusser) Additional photo:  Vladimír Kiva Novotný; archiv autora, institucí a soukromých sbírek Print: Tiskárna Helbich Published by the  Institute of Contemporary Art Prague in cooperation with the  Aparat. ISBN: 908472-7-9. First edition. The project is implemented with the financial support of Hl. m Prahy. The publication was supported by the Academy of Fine Arts in Prague and Tiskárna Helbich, a. s. Download 115 MB of Petr Dub here...

The Exhibition Preview at ČT ART See more at: https://www.ceskatelevize.cz/porady/10123096165-artmix/223562229000007/cast/1008541/

Kitsch, disgust, horror, or quality contemporary art? Such questions were asked by the media and the lay public at the moment when sculptor Erika Bornová's Christmas installation Velký dar appeared in front of the New Town Hall in Ostrava. Why do modern artistic interventions arouse so much emotion? What should contemporary art in the city streets look like and who should decide about it...? Guests: Lucie Baránková-Vilamová – Deputy Mayor of Ostrava for Business Marie Foltýnová – head of the Public Sculpture Administration Department (GHMP) Petr Dub – artist, AVU pedagogue, member of the Spolek Skutek and the initiative One Percent for Public Art Tomáš Knoflíček – theoretician and art historian and pedagogue, co-founder of the Ostrava festival of art in public space Kukačka Venue: Aréna Chamber Theatre, Ostrava 6:30 p.m. Free entry. More at...

Asymmetrical Equation: 213, 81 + 0 0 255 Guided Tour by Jana Bernartová & Petr Dub 10. 11., 1 – 21 p.m. Etcetera Art (Hradební 3, Prague)

Artists: Jana Bernartová (CZ), Jorin Bossen (US), Petr Dub (CZ), Roni Feldman (US), Brian Thomas Jones (US), Jiří Kovanda (CZ,) Karolina Lizurej (PL), Darja Lukjanenko (UA), Jan Pfeiffer (CZ) and Hanna Råst (FI) Curator: Lenka Sýkorová Venue: Durden And Ray Gallery, Los Angeles (1206 MAPLE AVENUE #832, LA, CA) Exhibition will last: 22. 10 -  4. 11. 2023

A real confrontation with art cannot be replaced by browsing social networks. We interview Petr Dub, a distinctive and uncompromising figure in the art scene Interview for Czech Design: https://www.czechdesign.cz/temata-a-rubriky/skutecnou-konfrontaci-s-umenim-nelze-alternovat-pohybem-po-socialnich-sitich-zpovidame-petra-duba-vyraznou-a-nekompromisni-postavu-umelecke-sceny

Jana Bernartová & Petr Dub Etcetera Art (Hradební 3, Praha) Curator: Tereza Jindrová Exhibition will last: 11. 10. – 10. 11. 2023

Galerie U Betlémské kaple Partcipating artists: Jiří Černický, Petr Dub, Vendula Chalánková, Ondřej Kotrč, Zuzana Svatik, Adam Žufníček Curators: Pavla Kosař & Miroslav Jiřele Text: Václav Hájek Exhibition will last: 14. 9. - 15. 10. 2023

https://cc.cz/kintera-kotatkova-ci-seda-v-karlinske-invalidovne-vystavuji-nejvyznamnejsi-cesti-umelci-soucasnosti/ https://echo24.cz/a/HazTb/zpravy-panorama-nejlepsi-soucasne-umeni-nabizi-invalidovne-zacal-art-index-pop-up https://www.newstream.cz/enjoy/oslava-sberatelstvi-invalidovna-nabizi-vystavu-nejlepsiho-soucasneho-umeni https://procne.hn.cz/c1-67241150-4-dny-50-umelcu-a-150-jejich-del-vydejte-se-na-umelecky-pop-up-do-tajemne-invalidovny https://www.profipf.cz/umeni-jako-perspektivni-investice/ https://reportermagazin.cz/a/i4e7N/padesat-umelcu-150-del-a-ctyri-dny-vinvalidovne Etc.

Venue: Invalidovna (Praha 8, Sudkovy sady 24/1) Curators: Valérie Dvořáková & & Anna Pulkertová The exhibition will last: 7.9.2023 – 10.9.2023 On the first weekend of September, the third exhibition of the best that is currently being created in the studios of contemporary Czech artists takes place. This year too, J&T Banka Art Index Pop-up will take its visitors to non-traditional spaces, this time we have chosen the historic building of the Prague Invalidovna, which is normally inaccessible to the public. The theme of the exhibition is also significantly related to the place.

Petr Dub & Alžběta Říhová Assortment Strategies Curator: Milan Mikuláštík Venue: Prague House in Brussels (Avenue Palmerston 16, 1000 Brussels) Opening: 19. 4., 19:30 The exhibition will last till: 19. 5. 2023

Staus of artist. How is it with contemporary artists not only towards the state and vice versa? Is art a purely individual matter, a mission or even a job? Are these values mutually exclusive or complementary? Why are there still no easily portable and functional foreign technical equipment for domestic conditions? And how far does the historical background of the topic actually go...? Moderator: Petr Dub Production: Veronika Gabrielová & Kateřina Hochmuth Sound: Roman Štětina Publisher: Academy of Fine Arts in Prague Contact e-mail for your suggestions: po@avu.cz Listen here...

What is it like after graduation? How to start making a living and what to watch out for? All this is discussed in the second episode of our #POAVU alumni podcast by Laura Limbourg, a painter, and Artur Magrot, an artist dedicated to spatial creation. In the conversation with moderator Petr Dub, they will also touch on studying at AVU and abroad, or issues of self-promotion. Moderator: Petr Dub Production: Veronika Gabrielová & Kateřina Hochmuth Sound: Roman Štětina Publisher: Academy of Fine Arts in Prague Contact e-mail for your suggestions: po@avu.cz Listen here...

@AVU: We are starting a new podcast AFTER AVU - what you didn't learn at school, but you will definitely encounter in artistic practice! It will focus on how life is after school, what up-and-coming artists should pay attention to... In the first episode, successful artist Kateřina Šedá and Krištof Kintera will debate with moderator Petr Dub. You can find the PO AVU podcast on Spotify and other platforms, but also on the AVU website in the podcasts section: https://open.spotify.com/episode/4X3tVyMOLwLPJHG8Xr5f0F

Kdo v galerii věší obrazy a co si o nich myslí? Co dělají děti na výstavě a kdo ukradl Picassa? Jak se pozná falzum od originálního uměleckého díla? V podcastu společně odhalíme nejen příběhy uměleckých děl a umělců, ale také to, jak se připravuje výstava, kdo pečuje o největší umělecké sbírky v Česku i kolik kilometrů nachodí kustodka během jednoho dne. V kroužcích dýmu ... příležitostí, jak se s ní pomyslně střetnout. To, jak mu tehdejší kultura kouření pomáhala vyhraňovat se vůči stávajícím společenským pravidlům, reflektuje výstava V kroužcích dýmu – portrét moderního umělce Národní galerie Praha. Je tomu tak i dnes? Má v současné době kuřáctví mezi etablovanými umělci význam? Jak kouření vnímá nastupující umělecká generace? Čtyři kuřáci z řad českých vizuálních tvůrců, doplněni o perspektivu studentů uměleckých oborů, nabízí svůj pohled na kuřáctví a na to, jaké místo má tato kratochvíle v současné společnosti. #zvukumeni #ngp #narodnigaleriepraha Podcastem Zvuk umění vás bude provázet Ivana Uhlířová: https://www.ngprague.cz/podcast

The Deus Vult exhibition at Proti Šedi.

The Deus Vult exhibition in the November issue of the printed version of the magazine Dolce Vita: Ready Made by Tereza Finková.

Etcetera auction sale: Petr Dub: A. Shipp The Palindrom Cycles: PAIN & GAIN (2021, acrystal, syntetics, Ø 60 cm) See the auction catalogue: https://issuu.com/aparat./docs/etcetera_15_issuu

Petr Dub: Deus Vult Photo report na Artalku Kurátorka: Lenka Sýkorová

Project Sentences after conceptual art in Eva Slunečková's article: Modern temples of faith

Curators: Matouš Hájek, Dominika Bernatková, Vendula Burgrová & Magdalena Jansová, Zbyněk Janáček, David Bartoš The exhibition will last: 6. 10. 2022  - 8. 10. 2022 Artists: Jana Bernartová, Petr Dub, Karel Novák, Kateřina Olivová, Darina Alster, Markéta Lisá, Dante Daniel Hartl, Nastazja Ciupa, Matěj Damek, Matěj Frank

Read more about the documentary movie Art Talent Show at: https://www.gpoplatform.cz/en/

Curator: Lenka Sýkorová Kaple Gallery: Sokolská, 757 01 Valašské Meziříčí Opening: 14. 9, 6 pm The exhibition will last: 12. 9. 2022 – 18. 11. 2022

Curator: Ján Gajdušek Pragovka Gallery: Kolbenova 923, Praha 9 The exhibition will last: 12. 9. 2022 - 18. 9. 2022 Havrlant Art Collection is a private collection of contemporary Czech and Slovak art. It was founded in 2015 by Kateřina and Jakub Havrlant. The collection currently contains over one hundred and thirty works of art, paintings, sculptures, installations and photographs. The collection is presented through the website, which informs interested parties about the works and artists represented in a broader context. During the Prague Art Week festival, a selection of the collection will be on display for the first time as part of a collective exhibition, which, like the collection, will focus on the presentation of contemporary art from Central and Eastern Europe. The collection is currently represented by 37 artists and contains a total of 150 works of art. The curator of the collection is Ján Gajdušek.  

Z GALERIE VEN! UMĚNÍ V ČESKÉM VEŘEJNÉM PROSTORU PO ROCE 1989 [CZ-EN] Event: 4. 8. 2022 - 7 p.m., Jaroslav Fragner Gallery Editors: Klára Pučerová, Petr Kratochvíl, Dan Merta, Petra Vlachynská Texts: Petr Kratochvíl, Petra Vlachynská, Ludvík Hlaváček, Dan Merta, Denisa Václavová, Radoslava Schmelzová, Marie Foltýnová, Radek Horáček, Tomáš Knoflíček, Kateřina Kostková, Klára Pučerová ISBN 978-80-88161-17-2

Regional Gallery in Liberec Curator and author of the exhibition project: Lenka Sýkorová The opening on 14th July 2022 at 6 pm. 15. 7. 2022 – 1. 1. 2023 Exhibiting artists: Jana Bernartová, Petr Dub, Veronika Holcová, Anna Hulačová, Věra Janoušková, Krištof Kintera, Karoliny Lizurej (PL), Richard Loskot, Petr Nikl, Hanna Råst (FI) and Lubomír Typlt. The dynamics and variability that are typical for the times we live in are reflected in the new curatorial concept. What our entire society has in common is lifelong questioning of our existence. The newly restored curtain of the Turnov theater thus creates for us an imaginary backdrop for the game of life, in front of which individual human destinies take place. It is often irony, which is so characteristic for art, that facilitates our lightness of being and helps us to overcome our personal and societal life challenges. The exhibition highlights artists from the 20th century all the way to the present, including postmodernism, post-conceptual art and current trends in fine arts. That is, an archival turn, a new perception of information frameworks and a level of uncertainty when using new technologies. The exhibition also represents traditional aspects of inspiration originating from mysticism , from the allegory of everyday life balancing between seriousness and ridiculousness and from mythology and Czech folk tradition. The exhibited art media include both classical media – painting, drawing and sculpture – and intermedial forms such as objects, installations and new media. The emphasis on a figure as part of the exhibition concept is understood as the symbolism of an individual in society who is accentuated as an actor or actress, whose stage is the world itself. The story bearer is a figure that accompanies us through the exhibition both in real and abstract form, and the movement of the viewer at the exhibition completes the very story of the curatorial concept. The exhibition presents both Czech and foreign artists. It is also conceived as an experimental medium, where we expect a certain alteration of exhibited artists and the expansion of the curatorial intention into the accompanying program.

@AVU @MALBAIV > Petr Dub & Marek Meduna Art Talent Show > 56th Karlovy Vary International Film Festival Director / Adéla Komrzý, Tomáš Bojar Producer / GPO Platform: Jakub Wagner, Martin Kohout Co-producer / ČT, AVU / partneři: UPP, Soundsquare Cinematography / Šimon Dvořáček Sound / Václav Flegl Edited by / Hedvika Hansalová Production / Jan Strejcovský Planned premiere / 5.7.2022 - 56. KVIFF - soutěžní sekce Proxima Supported by / Czech Film Fund Lenght / 102 min Screening: 5.7.2022 16:00 Karlovy Vary Municipal Theatre - Official 6.7.2022 12:00 Čas Cinema - Official 7.7.2022 13:00 Lazne III Cinema - Official 8.7.2022 14:00 Cinema B - Official 56th Karlovy Vary International Film Festival

The Exhibition will last: 01/07/22 - 04/09/22 Venue: Jaroslav Fragner Gallery The exhibition is carried out under the patronage of Minister for European Affairs, Associate Professor Mikuláš Bek, Ph.D. The exhibition presents the integration of art in the public space since the late 1960s. At that time, art left galleries and museums worldwide, and started creating new visual and social connections in the broader context of landscape and urban planning, within the discussion on the quality of public space in urban agglomerations. This project maps the "Czech situation" from the normalization era that started in the late 1960s till the present post-industrial capitalism of the "post-truth" era. It’s based on the exhibition “Public Space CZ”, prepared by Jaroslav Fragner Gallery in collaboration with the Institute of Art History of the Czech Academy of Science, curated by Professor Petr Kratochvíl in 2017. The development on the Czech territory has reflected the global transformation of art or visual culture, responding to new geopolitical or social connections and also to the economic materialization enabled by private investments.

Výstava ateliéru Malba IV - AVU Curators: Petr Dub & Marek Meduna The Exhibition will last: 20. 6. — 27. 7. 2022 Venue: Galerie Dole - Fiducia (Nádražní 30, Ostrava)

Curator: Pavel Kubesa The exhibition will last: 21. 5. — 22. 5. 2022 Venue: Centrální kotelna VFN (Wenzigova 1, Praha 2) The historically first exhibition of the Koojon collection will take place on the third weekend of May as part of the Open House Prague 2022 festival. This contrasting combination is definitely worth including in your weekend program.

Etcetera again comes with a special offer:  https://archiv.hn.cz/c1-67048540-etcetera-opet-prichazi-s-mimoradnou-nabidkou

Janez Collection (catalogue launch + exhibition) Curators: Martina Mrázová a Miroslav Jiřele Opening: 24. 3. od 18:00h The exhibition will last: 24. 3. — 15. 4. 2022 ETCETERA ART (Hradební 3, Praha)

Petr Dub: The more trivial a subject is, the more precious it is for most of its followers Curator: Jan Kudrna Opening of the exhibition: 28. 2.2022, 6 pm Venue: Gallery Magna (Bieblova 3, 702 00 Ostrava, CZE) The exhibition will last:  28. 2. - 10. 4. 2022 Read more at: galeriemagna.cz

Petr Dub: B.I.G. Curator: Jiří Ptáček Venue: Gallery Pitevna (Komenského sq. 2, 602 00 Brno-město, CZE) The exhibition will last until: 8. 4. 2022

Come and get your book MODEL! The launch is Friday 25th February at 6pm! More than 300 artists worked on the content for 10 years. Many have been involved once, others repeatedly. Conception and design by @richardbakes & @lenkawallon Cover by @michele__gabriele @vikcech @ptacek_jiri , @ondrejtrhon , @heikopfreundt and others Legend: @mrvajozef Photoedit: Jan Čihák Production: Veronika Zapatová Published by: Berlinskej Model Printing: Quatroprint thanks to the #Bookinprogress 2021 competition by @dipozitiv_studio Come #everyoneofyou ! We are looking forward to! #bookmodel #berlinskejmodel #2k22

Petr Dub for Bubec Gallery! 1,000,000 years, 1,000 likes Opening of the exhibition: 5.11.2021, 5 pm Venue: Studio Bubec, Tělovýchovná 748, 155 00 Řeporyje 1. 1,000,000 years of history. 2. 10,000 characters * waiting for A4. 3. Communication guidelines. 4. Boundaries of (self) identification. 5. Ema has botox. 6. Absence. Gaps. Sight glasses. 7. Present characters. Missing background. 8. Flickering of images. Missing edges. 9. Physical art. 10. Blurring of wrinkles. 11. Isolated index. 12. Character – poppy in the field. 13. Distillation. Reduction. Plurality. 14. Guest to the house – analysis of the work. 15. The expectation machine. Machine for previews. 16. Concepts of communication. 17. Zuckerberg vs Zoidberg. 18. State algorithm. 19. Absolute gram. Absolute Instagram. 20. Insulation. Sharing. Distance. Cheapness. 21. Cubism today. Crumpled into the shapes of ideologies. 22. Holders of know-how versus holders of consciousness. 23. Partial answers to complex questions. 24. Tentacles of art theory. 25. Mamon of presence. 26. Tectonic plates of knowledge. Mutual blackmail. 27. Dominance of presence at the microphone of a historical moment. 28. History as memes. 29. Equality and difference. 30. Artistic nonsense. 31. Resistance on the basis of the whole. 32. 1, 000 000 years of neo history. 33. 10,000 characters on A4. 34. Mantineles of happiness. The limits of satisfaction. 35. Boundaries of (self) identification. 36. Recognition flashes. 37. Absence of knowledge. 38. Patterns of understanding. 39. Missing characters. 40. Flickering of images. 41. Partial answers to complex questions. 42. Plates of knowledge. 43. History of repetition. Terabytes of clicks. 44. Difference in inequality. 45. In the shared gap. 46. ​​Theory of raped history. 47. Art as a repository of unsolvable questions. 48. What size should the image be: 1080px landscape and 1080px portrait. 49. PIN: 1234. 50. Another 1,000,000 met.

Fotoreport výstavy Knihovna vzorů  na ARTALK.CZ

We cordially invite you to guided tours of the exhibitions Library of Patterns and I Tried to Tell Ya Something Through the Phone, which will take place on October 26, 2021 from 6 pm in the Kvalitář Gallery. A guided tour of the Library of Designs exhibition with the author Alžběta Říhová, author Petr Dub and curator Milan Mikuláštík will take place from 6 pm to 7 pm. Followed by a guided tour of the exhibition I Tried to Tell Ya Something Through the Phone, with painter Antonia Stanova and curator Monika Čejková from 7 pm to 8 pm.

A review of the ongoing exhibition Library of Patterns at ARTIKL.ORG__

Last March, we were forced to cancel Part 33 of the Experience. Now, after a year of sitting at home, we decided it was time to go sit in the Clubhouse again! Traditional informal events every second Tuesday of the month from 7 pm, this time with the theme VISUALS. Guests: Zdeněk Růžička | Graphic designer, author of many visuals by Olovený Dušan Graphic Design Petr Dub | Founder of Photo Studio Flusser | Photo Karolina Vacková | Curator of the Film and Architecture Festival | Film Come before they ban us! @spa

Interview for HN: Between collectors and artists by Marek Miler. Photo Jan Mudra.

Ondřej Šnobl at Twitter. Zdeněk Porcal / Studio Flusser: here. Esté Architeti + Loving Bistro: here. @BIGLOL: HERE!

Petr Dub & Alžběta Říhová Library of Patterns Gallery KVALITÁŘ Curator: Milan Mikuláštík Opening: 16. 9., 7 p.m. The Exhibition Will Last: 17. 9. - 12. 11. 2021 The common exhibition of Alžběta Říhová and Petr Dub is not a confrontation, but rather a symbiosis, a parallel public presentation of two similarly artistically oriented authors. Alžběta and Petr belong to the distinctive representatives of post-conceptual art, or "reductive tendencies", but transformed postmodern lessons that resuscitated spectacular visuality. For both authors, the starting point is a hanging picture. The source for formal and semantic play is architecture, respectively its tectonic elements, but also deconstructed elements of the archetyped image or physical properties of the material. Both experiment with multiplication, seriality, variability, modularity. They equally emphasize the material and the careful surface treatment of the exhibited artifact, often working with illusory effects. The result is a simplified geometric form in the form of hybrid images-objects offering a surprisingly rich source of meanings, signatures, quotations and references to the history of art, architecture, society.

Deník.cz; Forbes.cz; Idnes.cz; E15; Hospodařské Noviny...

Petr Dub for J&T Art Index at ČT ART about art collecting...

Venue: Újezd 11, Praha 5 Curators: Valérie Dvořáková & & Anna Pulkertová The exhibition will last: 2. 9. – 5. 9. 2021 In one place, in a non-gallery space, you will find works by 44 Czech authors, who are among the 100 most visible contemporary artists whose work on the art scene is mapped by the J&T BANKA ART INDEX ranking. It was created with the ambition to help the general public, collectors, investors and art lovers to orient themselves on the contemporary Czech art scene... Participating Artists: HYNEK ALT; ADÉLA BABANOVÁ; ZBYNĚK BALADRÁN; JOSEF BOLF; JIŘÍ ČERNICKÝ; PAVLA MALINOVÁ; FEDERICO DÍAZ; JAN NÁLEVKA; MILENA DOPITOVÁ; JAKUB NEPRAŠ; PETR DUB; JAROMÍR NOVOTNÝ; JIŘÍ FRANTA + DAVID BÖHM; MARKÉTA OTHOVÁ; PATRIK HÁBL; MICHAL PĚCHOUČEK + RUDI KOVAL; JAKUB HOŠEK; IVAN PINKAVA; VLADIMÍR HOUDEK; PETR PÍSAŘÍK; ANNA HULAČOVÁ; DANIEL PITÍN; VENDULA CHALÁNKOVÁ; JOHANA POŠOVÁ + BARBORA FASTROVÁ; MATYÁŠ CHOCHOLA; LUCIA SCERANKOVÁ; KRIŠTOF KINTERA; PAVLA SCERANKOVÁ; MARTIN KOHOUT; JIŘÍ SKÁLA; ALENA KOTZMANNOVÁ; MATĚJ SMETANA; EVA KOŤÁTKOVÁ; KATEŘINA ŠEDÁ; DOMINIK LANG; KAREL ŠTĚDRÝ; RICHARD LOSKOT; ROMAN ŠTĚTINA; JIŘÍ THÝN; LUBOMÍR TYPLT; ALEKSANDRA VAJD  

The Signal Cycle presents a new selection from Robert Runták's Collection. Curator Pavel Dvořák for ČT: ceskatelevize.cz/ivysilani/1097206490-udalosti-v-kulture...

Telegraph Gallery Curator: Pavel Dvořák The exhibition will las: 23. 7. - 12. 9. 2021 Opening:  22. 7. 2021, 6 pm Particpating aritsts: Josef Achrer, Ondřej Basjuk, Jaroslava Brychtová, Jiří Černický, Dalibor David, Petr Dub, Vladimír Houdek, Krištof Kintera, Sabina Knetlová, Jiří Kornatovský, Eva Koťátková, Jiří Kovanda, Stanislav Libenský, Břetislav Malý, Hynek Martinec, Michaela Maupicová, Josef Mladějovský, Ivan Pinkava, Daniel Pitín, Jan Poupě, Ondřej Přibyl, Václav Stratil, Ira Svobodová, Robert Šalanda, Jakub Tomáš, Zdeněk Trs, Vladimír Vél The SIGNAL II exhibition, prepared by the Telegraph Gallery in Olomouc, is a second presentation of contemporary art from Robert Runták’s collection and includes photographs loaned by Ondřej Přibyl. SIGNAL I was conceived by curators Martin Drábek and David Vojtuš as a probe into the brain of a passionate art collector. SIGNAL II, prepared by curator Pavel Dvořák, presents artworks whose leitmotif is the loss of the physical experience of art, as embodied in the metaphor of disappearance. The exhibition will open at the Telegraph Gallery on Thursday, 22 July, at 6 PM and will run until 12 September 2021. We’re disappearing from the world. We’re losing our bodies and abandoning our senses. We observe ourselves from somewhere high and far away through theories, models, networks, maps, screens, projectors, camera systems, and virtual reality. We have ceased to be part of the experienced world as its subject. We have become one of its objects, a thing that can be examined, dissected, defined, and analyzed. This is how curator PD described the leitmotif of the exhibition. The exhibition presents more than thirty works of art by twenty-three contemporary artists from Robert Runták’s collection, including paintings and sculptures. The exhibition also includes two photographs by Ondřej Přibyl, which are not part of the private collection but were lent by the artist himself. The loss of the physical experience of an artwork, materialized in the metaphor of disappearance, is represented in the artworks on both spiritual and physical levels. In some works, it is tangible and apparent at first sight; in others, the visitors have to take their time. We complain that art is difficult to understand, that it has become elite, complex, detached from everyday problems, perhaps even incomprehensible. And instead of perceiving it, standing in front of it front of it in ecstasy, becoming part of it, and entering into a conversation with it, we scan and analyze it, sort it, copy it, share it, and show it off. The more we talk about art, the less we communicate with it, explained the curator, adding that the only solution is to meet art face to face by visiting galleries.

POP-UP AVU Gallery Curators: Petr Dub & Marek Meduna Particpating Artists: Tomáš Lahoda, Skuliak Maniak, Adam Rada, Viktor Dedek The Exhibition will last: 26. 6. - 3. 7. 2021 Opening: 26. 6. 2021, 6 PM Venue: POP-UP Galerie AVU, Křížkovského 1288/10 Prague 3

 

Sentences after conceptual art – HHLLOO #petrdub #sollewitt #josefgočár #metacolus #linkanews

Sorry, this entry is only in Czech.

Art piece – “⌘ + 72 (2015, acrylics, synthetic colors, canvas, wood, 71 x 76 x 7 cm)” at Et Cetera Auction. See the catalogue here…

The National Library's Webarchive series presents selections of websites without which we could not live, which we would be sorry for if they disappeared and no one kept them. Jana Bernartová (* 1983), intermedia artist: here ...  

Sentences after conceptual art - METALOCUS #petrdub #sollewitt #josefgočár #metacolus #linkanews

SORRY, THIS ENTRY IS ONLY IN CZECH...

Havrlant Art Collection that holds a couple of  works by PD at ČT ART. Read more at: https://art.ceskatelevize.cz/360/soucasni-cesti-sberatele-umeni-manzele-havrlantovi-vsechny-zastoupene-autory-dale-sledujeme-g6p0n

Project Sentences after conceptual art (Hommage to Sol LeWitt and Josef Gočár) at EARCH... 

Letos covid konzultace on-line...

Spectrum at shop.biggboss.cz Publication about Czech Contemporary Painting Curators: Petr Vaňous, Jan Kudrna, Barbora Ropková) Graphic design: Petr Bosák, Robert Jansa (20YY Designers) Publisher: BiggBoss, 2020 ISBN: 978-80-907383-8-6 Authors: Tomáš Absolon / Josef Achrer / Tomáš Bárta / Ondřej Basjuk / Josef Bolf / Jonáš Czesaný / Dalibor David / Petr Dub / Václav Girsa / David Hanvald / Daniel Hanzlík / Veronika Holcová / Jakub Hošek / Vladimír Houdek / Markéta Jáchimová / Jakub Janovský / Tomáš Jetela / Lukáš Karbus / Martin Krajc / Denisa Krausová / David Krňanský / Viktorie Langer / Martin Lukáč / Pavla Malinová / Marek Meduna / Josef Mladějovský / Alice Nikitinová / Jaromír Novotný / David Pešat / Daniel Pitín / Miroslav Polách / Jan Poupě / Tomáš Predka / Dana Sahánková / Zbyněk Sedlecký / Adéla Součková / Robert Šalanda / Evžen Šimera / Jakub Špaňhel / Adam Štech / Jakub Tomáš / Lubomír Typlt / Vladimír Véla / Michaela Vélová Maupicová / Monika Žáková

Sentences after conceptual art at ARCHINFO

Hyperhybrids Cycles - part of  Marek Collection at ČT ART.

Sentences after conceptual art at Stavbaweb

Sentences after conceptual art at Archello!

Per Dub: Sentences after Conceptual Art Curator: Adam Štěch (Okolo) Opening: 2. 10. 2020, 17:00 p.m., Gallery AMB The exhibition will last: 2. 10. 2020 - 31. 10. 2020 Venue: Assembly of the Priest Ambroz in Hradec Králové (Ambrožova 729/1, 500 02 Hradec Králové, CZE) Phot: Zdeněk Porcal (Studio Flusser) Visualition: Pavel Vinter (Zan Studio) Graphic design: Jana Bernartová Production: Jana Vincenová Sentences after Conceptual Art represent a bridge between the language of knowledge and the doctrines of knowledge. The original Sol Lewitt’s Paragraphs on Conceptual Art, first published in 1969, became an iconic text for the modernist understanding of art. A text as figurative as it is confused with a comprehensive and, above all, rationalist instruction on how to understand and interpret conceptual art. In addition to professional agreements, the original text also works with the concepts of irrationality, subjectivity and mysticism. It is radical in itself, while its legacy has become extreme. Owing to Sol Lewitt’s Theorems, the conceptual turn is frequently interpreted as the birth of a new faith and the destruction of former art at the same time. More than ever before in history, we live today in a time of rapidly born – and soon disappearing images. As a response, it is suggested that terabytes of digital cluttered data, the hypnotic grain of television screens, and the never-ending stream of hypertrophied images of social networks are faced with faith. Not necessarily all parables of the Bible, the religious struggle for the interpretation of the world or the confession of good and evil, but simply the confidence in the function of a text capable of creating a comprehensiveness and coherence of thought. The faith in a system in which a word contains meanings that can be read, understood, interpreted, and shared. The intervention in the Church of Priest Ambrose demonstrates part of this struggle. It is invasive but temporary. It parasitizes on the architecture and function of the church, yet providing its space with a new service beyond the physical place. Sentences after Conceptual Arttest our attention, our ability to withstand the power of the image, and our willingness to believe in the meaning of artistic illusion. Sentences after conceptual art by Petr Dub Original text by Sol LeWitt... Press Realease by Adam Štěch... Press Kit (text, img: print/web) here... Authorial Poster (Creative Commons Licence - 468 MB) to be downloaded here...

Kajoon Collection by Iva Bízová at ČT ART. The colleciton holds all of four pieces from the Behind the Painting Cycle...

Graduates of the Academy of Fine Arts Prague Opening: 17/09/20 Curators: Marcel Fišer & Petr Dub Find out more at: diplomanti.cz Participating artistst: Dominik Adamec, Vojtěch Beran, Michal Blecha, Jakub ČUŠKA, Beatrice DANDOVÁ, Markéta DONÁTOVÁ, Sarah DUBNÁ, Tereza DVOŘÁKOVÁ, David FESL, Aneta FILIPOVÁ, Rozálie HANÁKOVÁ, Eliška HAVLÍKOVÁ , Lukáš HOFMANN, Dominika Alexandra HRŇOVÁ, Lenka CHÁNOVÁ, Valentýna JANŮ, Helena JIRÁKOVÁ, Saskia KAFKOVÁ, Miroslava KLESALOVÁ, Josef KNAP, Eliška KONEČNÁ, Kateřina KONVALINOVÁ, Jolana KORBIČKOVÁ, Daniela KOŽMÍNOVÁ, Barbora KROPÁČKOVÁ, Dagmar KROPÁČOVÁ MOROVÁ, Tomáš KUREČKA, Barbora LEPŠÍ, Artur MAGROT, Vanda MICHALSKÁ, Tereza MISIARZOVÁ, Ivana MRÁZKOVÁ, Radek MRŠTINA, Adam PANÁČEK, Anna PÍŠŤKOVÁ, Jiří PITRMUC, Roza POGOSIAN, Jakub RAJNOCH, Pavol SÁS, Klára SEDLÁČKOVÁ, Dominika SLAVICKÁ, Andrea SOBOTKOVÁ, Hana SÜSSOVÁ, Michal ŠEMBERA, Jana Patricie TOMÍČKOVÁ, David TUREČEK, Jan ULIČNÝ, Marta ZECHOVÁ, Tereza ZICHOVÁ, Ondrej ŽEGORJAK Guests: Miloš CVACH, Michael GABRIEL, Václav GIRSA, Jakub HOŠEK, Magdalena JETELOVÁ, Vladimír KOKOLIA, Marek MEDUNA, Petr PAVLÍK, Michael RITTSTEIN, Dalibor SMUTNÝ, Kateřina ŠEDÁ, Petr VESELÝ, Josef ŽÁČEK Venues: AVU (U Akademie 4, P7), School of Architecture (U Akademie 2, P7), AVU Modern Gallery (U Starého výstaviště 188, P7). Free entry.

Participating Artists: Jiří Bielicki, Robert Buček, Petr Dub, Petra Hudcová, Richard Loskot, Milan Mikuláštík, Květa Pacovská, Lexa Peroutka,  Pavel Šimíček Curator: Jana Vincenová

Spectrum: Publication about Czech Contemporary Painting Curators: Petr Vaňous, Jan Kudrna, Barbora Ropková) Graphic design: Petr Bosák, Robert Jansa (20YY Designers) Publisher: BiggBoss, 2020 ISBN: 978-80-907383-8-6 Authors: Tomáš Absolon / Josef Achrer / Tomáš Bárta / Ondřej Basjuk / Josef Bolf / Jonáš Czesaný / Dalibor David / Petr Dub / Václav Girsa / David Hanvald / Daniel Hanzlík / Veronika Holcová / Jakub Hošek / Vladimír Houdek / Markéta Jáchimová / Jakub Janovský / Tomáš Jetela / Lukáš Karbus / Martin Krajc / Denisa Krausová / David Krňanský / Viktorie Langer / Martin Lukáč / Pavla Malinová / Marek Meduna / Josef Mladějovský / Alice Nikitinová / Jaromír Novotný / David Pešat / Daniel Pitín / Miroslav Polách / Jan Poupě / Tomáš Predka / Dana Sahánková / Zbyněk Sedlecký / Adéla Součková / Robert Šalanda / Evžen Šimera / Jakub Špaňhel / Adam Štech / Jakub Tomáš / Lubomír Typlt / Vladimír Véla / Michaela Vélová Maupicová / Monika Žáková

Participating Artists: Pawel Althamer, Miloš Cvach, Hugo Demartini, Petr Dub, Barbora Fastrová & Johana Pošová, Václav Fiala, Nela Keoušová, JohannesMakolies, Markéta Othová,  Vojtěch Rada, Philip Tolovac, Anna Hulačová, Martin Zet, Vendelín Zdrůbecký Curators: Pavel Vančát + Marcel Fišer In 2020, the fourth year of the Festival m3/Art in Space will take place. It builds on the three previous years: 2017 to 2019, each of which had different venues, themes and curators. The annual radical transformation of the festival prevents its artistic stagnation and always offers spectators new approaches to and perspectives on art and public space. ​ This year's festival seeks to look at art in public space as a complex phenomenon linked to broader historical, political and artistic contexts. That is why we decided not only to approach a number of contemporary artists but also to include in the festival works already existing in the given locality and to explore deeper "historical layers" and their potential symbiosis with the newly placed works, many of which make this historicity their theme. More about M3...

Curators: Filip Dvořák & Matrtin Kolarov Text: Michal Novotný Download: PDF AFTER VIRUS HERE... Artist: Tomáš Absolon Argišt Alaverdyan Filip Dvořák
 Petr Dub David Hanvald 
Jakub Hošek
 Vladimír Houdek Vojtěch Kovařík
 Bety Krňanská
 David Krňanský Viktorie Langer Valocká Roel van der Linden Martin Lukáč Pavla Malinová Marek Meduna Milica Mijajlović Aleš Novák
 Tomáš Predka Julius Reichel Martnina Smutná Gabriela Těthalová Adam Vít Namor Ynrobýv Monika Žáková

Petr Dub & Josef Mladějovský: Tabula Rasa Breach Galerie Telegraph Curator: Domenico de Chirico Covid-19: pandemic continues - exhibition to shut down

Venue: Gallery Telegraph Adress: Jungmannova 3, 779 00 Olomouc Curator: Domenico de Chirico The Exhibition will Last: 4. 2 - 12. 4. 2020

Petr Dub: The Emotion of the Frame in the Hierarchy of the Future Conference paper for Image – frame – space symposium (VSVU, Bratislava, SK) The study The Emotion of the Frame in the Hierarchy of the Future came about based on a dissertation titled Vybrané postkonceptuální přístupy v současné české malbě [Select Post-Conceptual Approaches in Contemporary Czech Paint- ing] (FaVU VUT in Brno, 2013) and a conference presentation, Milník diváka [Spectator Milestone] (Souvislá vrstva, UMPRUM, 2018). It is the author’s com- mentary on Czech painting’s contemporary ideological anchoring, demon- strated using the clash of two artistic manifestos: Manifest radikálního realismu written by the group Radikální realisté, and BHG manifest 1.0 from the Black Hole Generation. It outlines the conflict between painting’s ideological back- ground and various types of formalism, anachronism and the distinctive pres- entation of contemporary painting. The text is based on the conviction that, as was once true of painting, the term image – in a multi-medial, inter-medial and trans-medial meaning – is undergoing its own symbolic demise. The imag- es of course are still physically existent, it is merely the centres of ideological power that are changing, the media channels and the attendant interpretation. Post-conceptual art – which paradoxically helped subdue the linear certainty of the art historical context – has definitely overcome the hegemony of the classical canon of art, built on the Cultivation of art talent. Today, painting is experiencing another of its iterative deaths and its own renaissance all at once. It finds itself in the situation of a traditional medium with a clearly defined historical apparatus, similar to the position of a medium allowed all manner of possible diversities and juxtaposition. The physicality of painting as one of the factors determining authenticity of message, and virtuality as an agent of authenticity, may seem mutually exclusive. The shift of painting from gallery space to the interface of virtual networks is an evident departure, from the principle of art’s museum existence to the internet’s presentational environ- ment based on a divergent typology of narration. Artistic stories and story-tell- ing, so essential for the shared creation of an art work’s meaning, are utilizing social networks afresh, with all the attendant limitations as well as benefits. The “white cube” crisis has chased painters in a variety of directions. While the radical realists are making a retrograde flight to the plein air, past the facto- ry entrance to socialist still life painting, the Black Hole Generation has open- ly charged toward the lifestyle of Generation 0 and Generation Z. In neither case do we observe the absence of the image, rather it is cloaked in the guise of a community’s language. The demand circulating for strengthening the political language of painting has almost without exception made use of the beliefs and visual codes of opinions in one’s own group. The new, digital situation of paint- ing opens new communication possibilities and sublimates into a trend creating new hierarchies of art evaluation. The image has frozen in its own acceleration. Never has teaching art been so complicated. The crisis of the self-identification of art as a valid field of knowledge in society is fading on the threshold of the 21st century, in the maelstrom of global political arts, feministic discourse, and the vision of the coming ecological apocalypse. Will the images of the future be technocratic, democratic or “artistic”? Can art succeed in a world reduced to hy- pertrophied social media snapshots? Will reality fade, or the reality of art? Is the answer in art criticism of quality, or political criticism of art? key words: crisis of the image, contemporary canon, self-identification of art, societal frame, realism

Petr Dub shortlisted for J&T Banka Art Index which is mapping the most interesting contemporary artists in the Czech Republic – 29th position in 2018. More at: jtbankartindex.com/zebricek-umelcu

Petr Dub: ABSENCE Curator: Petr Brožka Gallery D9 The Exhibition will last: 17. 12. - 15. 1. 2019 Opening: 17. 12. 2019, 17:00h Dukelská 245/9 370 01 České Budějovice

Date: 17th of December 2019 Venue: KD Domovina Raffle: One day course of fly fishing by Petr Dub; Dinner with #JimenaMendoza; Tchaj-ťi lesson with #VladimírKokolia; kiss by #JiříKovanda; mediation with #RomanŠtětina; night in #LadislavŠaloun studio and many others... #celebration #support  #socialfond #avu Eso-Eko-Trans Ples | AVU 220 Tickets ↝ bit.ly/PLES_AVU220

1. Jaký máte názor na protest proti nedávnému otevření galerie Roberta Runtáka? 2. Jak hodnotíte současné nastavení financování uměleckého provozu? 3. Je třeba budovat alternativní způsoby financování? Více z odpovědí k otevřené kauze zde...

GAFU Českobratrská 16, Budova B Ostravské univerzity, Ostrava 3. 11. – 13. 12. 2019 Opening: středa 13.11. v 17:00 Corator: Hana Vorlová Graphic Design: Helena Hankeová Technical Support: Ivo Sumec Jiří David; Petr Dub; Matěj Frank; Martin Froulík; Kurt Gebauer; Julia Gryboś & Barbora Zentková; Vladimír Havlík; I Love 69 Popgejů; Michal Kalhous; Deana Kolenčíková; Lukáš Kováčik; Lucie Králíková; Kristýna Krutilová; Martin Kubica; Max Lysáček; Pavla Malinová; Šárka Mikesková; Barbora Mikudová; Josef Mladějovský; Filip Nádvorník; Libor Novotný; Eliška Perglerová; Jan Pfeiffer; Hana Puchová; Michaela Rožnovská; Martina Strakošová; Jiří Surůvka; Petr Švolba; Hana Vorlová

Petr Dub: Moving Frame Conference paper for Image - frame - space symposium (VSVU, Bratislava, SK)

Curator: Marcel Fišer Opening: 6 p.m., 10. 10. 2019 Venue: Etcetera Gallery (Grohova 2, Brno, CZE) The exhibitin will last: 10. 10. - 7. 11. 2019

Museum Kampa (Prague, CZE) Opening: 12. 10. 2019, 6 p.m. Curator: Ilona Víchová See more at: http://www.museumkampa.cz/vystava/mnohoznacnost/

Velvet Monument - Petr Dub among the discussion panelists 7. 10. 2019, 17 p.m.  - 7 p.m. GHMP & 4+4 dny v pohybu Venue: DESFOURSKÝ PALÁC 30 years after the Velvet Revoultion there is time to reassess our latest past. Does our society miss the memories of its own crucial moments? And hall we remeber them by monuments?

Disscusion: What are the limits of financing art? Kurzor Gallery (Center for Contemporary Arts Prague) 23. 9. 2019, 7 pm Guests: Marek Pokorný, Karina Kottová, Petr Dub, Jiří Ptáček, Martina Smutná, Tomáš Vaněk, Václav Drozd, Miloš Vojtěchovský, Hana Janečková, Adéla Součková, Anna Hulačová

Work Item No. 248 part of 220 míst AVU publication...    

Gallery U Přívozu, Hradec Králové, CZE Opening: 6. 9. 2019, 6 p.m. Artists: Katarína Balúnová, Petr Dub, Dalibor Chatrný, Richard Kočí, Iva Kolorečová, Jakob Novák, Miloš Šejn, Markéta Várdiová

Latest piece from the REFRAMED CYCLE at EARCH...

Project Think Different at Archicakes!!  

Riders on the Storm published at DesignBOOOOOOM!

Petr Dub as one of the panelist of Nonument! 2019 Read more about the section - Memory and Post-Socialist Condition - at: http://cceamoba.cz/en/nonument...

New army memorial for the City of Ostrava? Panelists: Zuzana Bajgarová (the Deputy Mayor), Anežka Bartlová (art historian), Jaroslav Hrabec (the director Krajského vojenského velitelství Ostrava) and Petr Dub Refill kancelář, Českobratrská 14, Ostrava 10. 6. 2019, 6 p.m.

Check out my latest neon piece in architecture forstudio Chybik & Kristof Associated Architects at Archdaily: https://www.archdaily.com/916197/urban-infill-lofts-chybik-plus-kristof-associated-architects

Art piece – “In The Most Ugliest Corner Of The Most Beautiful Gallery” at Et Cetera Auction. See the catalogue here…

Guests: Zuzana Bajgarová – Ostrava’s Deputy Mayor Petr Dub – artist, co-author of a study on art in the public space of the Prague 5 municipality Lukáš Jansa – councillor for architecture and the public space of the Moravská Ostrava and Přívoz municipalities Tomáš Knoflíček – exhibition curator, organiser of Kukačka, a festival of art in the public space Jiří Ptáček – independent curator, founder member of the Skutek art association Watch here...

Jana Míková, Jana Tichá and Petr Dub - the jury members of  Superstudio 2019!

Installation – The Lamp – Friedrich Nietzsche on Multiculturalism – as the cover for publication called “HUMAN RIGHTS IN MULTICULTURAL PERSPECTIVES?”

Are there any examples of good practice of how to commission new statues in the public space in the Czech Republic? And what to do with statues that “didn’t come out well”? Guests: Zuzana Bajgarová – Ostrava's Deputy Mayor Petr Dub – artist, co-author of a study on art in the public space of the Prague 5 municipality Lukáš Jansa – councillor for architecture and the public space of the Moravská Ostrava and Přívoz municipalities Tomáš Knoflíček – exhibition curator, organiser of Kukačka, a festival of art in the public space Jiří Ptáček – independent curator, founder member of the Skutek art association Read more at: plato-ostrava.cz

Discussion about contemporary architecture and ist presentatiton: (Santiago Calatrava: Art and Architecture) Guests: Petr Babák (Graphic designer from studio Laboratoř) Matěj Beránek (editor in chief, EARCH) Adam Štěch (publicist) CHYBIK+KRISTOF ASSOCIATED ARCHITECTS Zdeněk Porcal (Studio Flusser) Presenter: Petr Dub

Trail of Courage (Matěj Al-Ali, Petr Dub and Tomáš Moravec) Prague Public Space Manual See more at: Umělecká díla na veřejných prostranstvích hlavního města Prahy

Petr Dub shortlisted for J&T Banka Art Index which is mapping the most interesting contemporary artists in the Czech Republic – 34th position in 2018. More at: jtbankartindex.com/zebricek-umelcu

Works by Petr Dub – “Skyler Green” and “Purple blue, and magenta together with silver are impossible to read” at the Et Cetera Auction.  See the auction catalogue here…

Works by Petr Dub - "Skyler Green" and "Purple blue, and magenta together with silver are impossible to read" at the Et Cetera Auction.  See the auction catalogue here...

Intersurveys / Collection of AJG 1300 – 2018 / performance: Petr Dub / Castle Riding School AJG, Hluboká nad Vltavou / od 18. 3. 2018 Even at: https://www.facebook.com/events/334421147293510/

Petr Dub: White Over Gallery Dukla (Ostrava, CZE) Curator: Tomáš Knoflíček The exhibition will last: 26. 9. - 31. 12. 2018

Stay tuned at https://www.avu.cz!

Discussion about contemporary architecture and ist presentatiton. Presenter: Petr Dub Guests: Petr Babák (Graphic designer from studio Laboratoř) Matěj Beránek (editor in chief, EARCH) Adam Štěch (publicist) CHYBIK+KRISTOF ASSOCIATED ARCHITECTS Zdeněk Porcal (Studio Flusser) Free entry, 6. 9. 2018, 6 pm GHMP, Dům U Kamenného zvonu, Prague See more at: https://www.facebook.com/events/235867597115377/

The exhibition project called Perception Test by Petr Dub and Zdeněk Porcal at: http://artalk.cz/2018/07/25/petr-dub-v-galerii-nod/

Artweek Liberec 2018 Petr Dub: Hermann R. is not at home 16. 6. – 22. 6. 2018  | THE LIBEREC REGIONAL ART GALLERY, MASARYKOVA 723/14, LIBEREC Open daily except Mondays, 10:00−17:00, Thursdays 10:00−19:00 (free entry on Thursdays). Free entry on Sunday 17. 6. during the commented tour, during other days according to the price list of The Liberec Regional Art Gallery. Read more about the exhibition: http://www.artweekliberec.cz/art-week-2018/

Petr Dub: Perception Test Special Guest: Zdeněk Porcal Curator: Pavel Kubesa Gallery NoD, Prague Opening: MO 11. 6. 2018; 7 pm The exhibition will last: 12. 6. – 5. 8. 2018  

Work from the After Effects cycles available at Etcetera Auction Hall: Lens Corretion / Remove Distortion - 4,00 / Vignette + 23 / Midpoint + 56 / Vertical Perspective + 19 / Horizontal Perspective + 50 / Angle 345,00 (2016, acrylics, wood, putty, canvas, 66 x 74 x 13 cm). See the work in the auction catalogue... Date of the auction: 28. 4. 2018, 6:30pm Venue: Gallery Kvalitář, Prague

Meziprůzkumy. Sbírka AJG 1300-2018 / intervence: Petr Dub / Alšova jihočeská galerie / Hluboká nad Vltavou / od 18. 3. 2018 intervence: Petr Dub / Naše galerie od 18. 3. 2018 / denně 9:00 – 18:00 vernisáž: 17. 3. 2018 / 15:00 hod. Zámecká jízdárna, Hluboká nad Vltavou 144 Intervence Petra Duba pro expozici Meziprůzkumy / Sbírka AJG 1300–2018 bude situována v místě vstupu do galerie a vychází z její historie. Umělcův zásah reaguje na institucionální a společenský status Alšovy jihočeské galerie na pozadí současné geopolitické situace v Evropě. Intervence spočívá ve dvou oddělených performancích, které proběhnou v rámci otevření nové podoby expozice dne 17. března 2018 a jedné doprovodné akce (komentovaná prohlídka atp.). Autorovy drobné zásahy v podobě reinterpretace stávajícího „institucionálního obalu“ galerie se pak na několik měsíců stanou nenápadnou součástí jejího exteriéru. Návštěvníka tak bude již při vstupu upozorňovat na jednu z hlavních myšlenek pravidelně obměňované stálé expozice, jejíž autoři se snaží prezentovat to nejlepší ze sbírek galerie, ale vždy se zřetelem na její institucionální dějiny. Hynek Látal a Martin Vaněk, autoři a kurátoři stálé expozice

Petr Dub, Johanka Lomová, Jiří Ptáček and Marek Meduna about Spolek Skutek: https://vltava.rozhlas.cz/michaela-vrchotova-se-svymi-hosty-debatuje-o-spolku-skutek-6703014

CTU in Prague, Faculty of Architecture presents the Olověný Dušan Prize Ceremonial: New Building of the National Museum Vinohradská 1, 110 00 Praha 1 15. 3. 2018, 7 pm Architecture jury members: Ing. arch. Martin Rössler (chairman) Ing. arch. MgA. Barbora Šimonová Ing. Marie Gelová Ing. arch. Josef Smutný MgA. Petr Dub, Ph.D. Check out more at: www.spa-fa.cz

Petr Dub: Spaces between images Třinec City Gallery Curator: Katarína Klusó 9. 3. - 6. 4. 2018 Opening: 9. 3. 2018, 6 pm

Art works: Cheyenne Silver; Jordan Green; Donald Martiny Deconstructed; Tricolor; Yellow, white and golden; On the left and down? - purchased by the Robert Runták Collection. Thanks for the support and all of the fish!

“% for art in Prague public space” What is the future of public space in Prague? And what role does play art? How to manage its financing? Panelist: David Černý, sculptor Petr Dušta, Skanska manager Eliska Kaplicky Fuchsova, a representative of Prague City Hall Adriana Krnáčová, the mayor of Prague Hanka Trestikova, cultural councilwoman of Prague 7 Moderator: Petr Dub See the recording at https://www.youtube.com/watch?v=8djds79UvvI&feature=youtu.be...

Petr Dubs's work part of Book launch - Topičův salon: An Anthology 2007-2017 5. 3. 2018, 6 pm Národní 9, 110 00 Prague Read more at: topicuvsalon.cz

"% for art in Prague public space" What is the future of public space in Prague? And what role does play art? How to manage its financing? 28. 2. 2018, 6 pm Center for Architecture and Metropolitan Planning (Vyšehradská 51, Prague) Panelist: David Černý, sculptor Petr Dušta, Skanska manager Eliska Kaplicky Fuchsova, a representative of Prague City Hall Adriana Krnáčová, the mayor of Prague Hanka Trestikova, cultural councilwoman of Prague 7 Moderator: Petr Dub

7. 6. 2017 / Viewer - milestone (DOX - Centre for contemporary Art) Petr Dub at Artyčok.TV The conference paper: Viewer – milestone (Medium of painting and its contemporary condition.) Conference: Continuous layer Venue: DOX – Centre for contemporary Art Organizers: Patricie Fexová, Eva Skopalová, Marek Meduna

Petr Dub shortlisted for J&T Banka Art Index which is mapping the most interesting contemporary artists in the Czech Republic – 34th position in 2017 More at: jtbankartindex.com/zebricek-umelcu

Petr Dub at Havrlant Art Collection: https://havrlant.art...

GAVU Collection: New Art Purchases including Petr Dub's works: GAVU Cheb 1. 2. – 10. 6. 2018 Curator: Marcel Fišer

Long Dong Silver from the Porn Star Collection Cycle part of the Das Haus installation by Lucie Koldová. To see more from the IMM Cologne project check out latest report by the Wallpaper Magazine: https://www.wallpaper.com/design/lucie-koldov-das-haus-imm-cologne

Petr Dub as a member of the architectural prize Olověný Dušan The Czech Technical University in Prague). Find out more about the prize: http://olovenydusan.cz

B-Y (Private Art Collection) Concept and Catalogue by Petr Dub & Jana Bernartová Photo: Zdeněk Porcal (Studio Flusser) Read more about the collection at: http://studioflusser.com/projects/design/katalog-b-y-jana-bernartova/

Petr Dub as a special guest of DAS HAUS PROJECT by LUCIE KOLDOVÁ Imm Cologne 15. 10. - 22. 1. 2018 Koelnmesse GmbH Messeplatz 1 50679 Cologne, Deutschland More information at: http://news.imm-cologne.com/category/events/das-haus/

Early work titled: Varticaly and to the right (2011, acrylic, canvas, wood, 220 x 10 cm) z from the Reframed cycle sold by the auction house EtCetera EtCetery.

Petr Dub: YTILAERBOX Regional Gallery of Fine Arts in Zlín The exhibition will last: 10. 10. - 19. 11. 2017 Curator: Václav Mílek Text: Petr Agha

Beauty and contemporary art Venue: 12. 10. / 18:00, Kasárna Karlín Panelist: Marie Tučková (artist) Sandra Baborovská (curator - GHMP) Petr Dub (artist and the chairman of Spolek Skutek) Michal Novotný (curator - Futura a Karlin Studios) Presenter: Petr Fischer (publicist) The topic sounds banal. What do the viewers consider to be "beautiful" and why do they insist on contemporary art to be beautiful? Is it a rightful claim? And what do the artist consider to beautiful? Do they care at all?

4 + 4 dny present:  The Role of Beauty in Contemporary Arts Panelist: Sandra Baborovská, Petr Dub, Marie Tučková and Michal Novotný Moderator: Petr Fischer Event at: https://ctyridny.cz/program-2017/krasa-a-umeni/

Spolek Skutek interview "How to manage art in public space" for website Kreativní Česko: http://www.kreativnicesko.cz/clanky/jak-na-umeni-do-verejneho-prostoru

Project - I melt with you (2012) - as the cover for publication called “The Future of the State?” Publisher: Academia Editor: Petr Agha Read more at: academia.cz/budoucnost-statu

Dear architects... Gallery of Architecture Brno Curator: Karolína Plášková Opening: úterý 13. června 2017 od 18.00h Partcicipating artists: Tomáš Ctibor, Marie Davidová, Petr Dub, Ivan Gogolák & Lukáš Grasse, Pavel Holubec, Jan Hora, Martin Jančok & Michal Janák, Karolina Jirkalová, Jiří Knesl & Jakub Kynčl, Michal Kohout, Ivan Koleček, Daniela Krajčová, Jakub Mikuláštík & Karolína Kripnerová, Lenka Kužvartová, Radko Květ, Petr Lešek, Karel Maier, Lukáš Makovský • Petra Marko & Igor Marko, Miroslav Masák, Pavla Melková, Dan Merta, Barbora Mráčková & Barbora Šimonová, Jakub Filip Novák & Daniela Nováková Baráčková, Viktor Odstrčilík & Alexandra Georgescu & Tomáš Kozelský, Martin Rusina & Martin Frei, Luděk Sýkora, Janica Šipulová, Kateřina Vídenová & Adam Wlazel, Jiří Vítek, Miroslav Vodák & Tomáš Zdvihal, Karolína Vránková The role of architects in today's society...

Petr Dub 20 reasons why to hate graffiti Generation zero Jihlava, Staré Nádraží, 18. 6. 2017, 6 p.m. A lecture about public space and contemporary graffiti. See more at: facebook.com/nultagenerace

Petr Dub at Artyčok.TV The conference paper: Viewer - milestone (Medium of painting and its contemporary condition.) Continuous layer, DOX - Centre for contemporary Art Organizers: Patricie Fexová, Eva Skopalová, Marek Meduna

Solo exhibition at Strom Art Gallery (Brno, Czech Republic) Curators: Petr Kamenický & Markéta Žáčková Date: 11. 5. - 16. 6. 2017 Opening: Wednesday - 10. 5. 2017, 6pm "The exhibition title might feel like a joke, but it has its merit. Despite the fact that it contains some irony, it explains the media identity of Petr Dub’s work. The author has been examining for a long time the (physical) limits of the suspension picture: he is creating a factual and mental tension between the surface and the inner structure, addressing the questions of its sensory and paradigmatic perception... (Read more from the curators text...)

ARCHITECTURAL&URBAN WORKSHOP Dates: 24. - 26. 5. 2017 Prezentation: 26. 5. 2017 v 16:00 Venue: Dělnický dům Židenice, Brno, Czech Republi Organizers: arcSiola Consultants: Petr Dub, Svatopluk Sládeček, Štěpán Mareš More info at: facebook.com/artefaktzidenice

Petr Dub shortlisted among the 22 TOP CZECH CONTEMPORARY AUTHORS according the Auction House EtCetera. Read more at the ForMen Magazine - issue #052017

Colloquium: Why to show contemporary fine arts outside of centers? Panelists: Milena Bartlová, Fedor Blaščák, Jiří Jůza, Vladimír Kovařík, Hynek Látal a Petr Dub Presenter: Jiří Ptáček More info. at: zlinskesalony.cz Date: 11/5/17, 00:30–4:00p.m Venue: The Regional Gallery of Fine Arts in Zlín

Free entertainment The Bĕhal Fejér Institute 9. 5. 2017, 7-10pm Artists: Matej Al-Ali, Petr Dub, Martin Hrubý, Petr Krátký, Tomáš Moravec a Viktor Takáč
 Special guest: Kurt Gebauer

Location: Červené Pečky, Czech Republic Cycle: Reframed Technique: acrylic, wood, canvas Year: 2017 Realization: Petr Dub Photo documentation: Zdeněk Porcal Architects: Hipposdesign Space: Familly House Special thanks: Petr Babák and Šárka Bulčíková Gallery: reframed.net/cz/77-projekty/95-skolni

Compact layer - conference on contemporary painting Petr Dub: Viewers milestone Date: 19. 4. 2017 Venue: DOX - Centre for contemporary arts Participants: Petr Vaňous, Jan Poupě, Martina Smutná, Jan Kaláb, Viktor Čech, Lenka Vítková, Josef Bolf, Vlasta Čiháková-Noshiro, Vladimír Houdek, Šárka Koudelová, Michal Novotný, Evžen Šimera, Igor Hosnedl, Lenka Lindaurová, Tomáš Lahoda and Petr Dub

Every Chair Needs a Painting Gallery Kvalitář Vernissage: Thursday, 23 March 2017, at 7 p.m. 24 March – 14 April 2017 Designer Eva Eisler has prepared a project for the Kvalitář Gallery entitled “Every Chair Needs a Picture”. She is joining forces with gallery owner Marek Habr to demonstrate how strong the combination of applied and fine art can be...

Prague City Gallery Public discussion: 08 – love, hate, dislike, jealousy, lack of interest? Guests: Osamu Okamura, Roman Brychta, Rudolf Samohejl and Ivana Šrámková Moderated by: Petr Dub See the previous debates at: https://www.youtube.com/channel/UCFZa7CbuuLIM3bfW1xtKFBg

Location: Prague, Czech Republic Cycle: Reframed Technique: acrylic, wood, canvas Year: 2017 Size: 175 x 270 cm Realization: Petr Dub Photo documentation: Zdeněk Porcal Space: Administration Office More about the project at: http://reframed.net/en/77-projekty/94-klimentska

Petr Dub shortlisted for J&T Banka Art Index which is mapping the most interesting contemporary artists in the Czech Republic - 36th position in 2017 More at: jtbankartindex.com/zebricek-umelcu

Prague City Gallery Public discussion: 08 – Commission or guerila? Guests: Anežka Bartlová, Zuzana Štefková a Denisa Václavová Moderated by: Petr Dub How does the current art practice associated with public space works? What are the restrictions faced by independent artists and curators? Does an artist has the right to go beyond those rules?

UMA Audioguide from Gallery Jelení - listen here...

Petr Dub: Into the Dichotomy of an Image Gallery Jelení Curated by: Edith Jeřábková 11. 1. – 8. 2. 2017 Opening: 10. 1. 2017 form 6pm The exhibition “Into the Dichotomy of an Image” follows up on Petr Dub’s projects from the past two years, in which he copes with the image media as an artistic object primarily presented on various social backgrounds. Dub’s interpretation of the notion of “dichotomy” can be perceived as the identification of a unit in a collective whole, or, on the contrary, as an autonomous experiment of assembling a group of symbols to create new contents. In his installation arrangement planned for the Jelení Gallery, he treats the relationships between motives of interior elements, which we commonly surround ourselves with in our home environment and the awareness connected with their broader political interpretation. Read more...

Prague City Gallery Public discussion: O7 - Afterlife of public art Guests: Milena Bartlová, Petr Agha and Jakub Bachtík Moderated by Petr Dub

Petr Dub: Anthropologist Translated Laboratorium Sztuki, Toruń, PL Curator: Maria Niemyjska 25. 11. 2016 – 8.1. 2017 The exhibition of Petr Dub ends a project “The artist as a traveler.” This theme is a direct continuation of topics discussed in two previous years as a part of series “The artist as anthropologist.” Presenting the series of activities in which artists approached the anthropologists, it was hard to ignore the fact that a large part of the projects was implemented during the journey. Contemporary artists are constantly traveling, seeking inspiration in private expeditions, as well as participating in residential programs. Petr Dub realizes the exhibition “Anthropologist Translated” within the framework of residency programme of the Torun Cultural Agenda. The work includes the dimension of travel on more metaphorical plane. It’s about the journey of meanings. One of the walls of the gallery is covered with the David Harvey’s essay “Right to the City”, translated into Polish by Google Translator. In this way, the artist emphasizes the ability to interpret the rebellious message in the context of local issues. Migration of the text between languages ​​and regions reflects the journey of the global crisis, which causes unpredictable results in different places of the globe. Guests of the exhibition will be able to correct and comment the text, using the tools developed by the artist. They will make the text consistent with the rules of Polish language, but they can also make impact on the content of the essay.

05 – Beggars must (not) be choosers Prague City Gallery Guests: Lenka Burgerová, Petr Dub, Eliška Kaplický Fuchsová and Petr Lešek Moderated by: Petr Klíma Public talk from the ART FOR POR PRAGUE / PRAGUE FOR ART CYCLES organized by the Prague City Gallery. What would be the best city system of implementing public art in the streets? Is every public art - good?

Work from the After Effects cycles available at Etcetera Auction Hall: Lens Corretion / Remove Distortion - 17,00 / Vignette + 42 / Midpoint + 50 / Vertical Perspective + 19 / Horizontal Perspective + 50 / Angle 345,00 (2010, akryl, dřevo, tmel, plátno, Ø 70 cm). See the work in the auction catalogue, page 47... Exhibition: 16. 11. - 26. 11. 2016, Gallery Kvalitář, Prague Date of the auction: 26. 11. 2016, 6:30pm More info at: etcetera-auctions.com

Non-returnable shift Gallery: House of the Lords of Kunštát (Dominikánská 9, 602 00 Brno) Curator: Jan Kratochvil Opening: 21. listopad, od 18:00h The exhibition will last: 21. 11. - 15. 1. 2017 Participating artists: Matej Al-Ali, Tomáš Moravec + Petr Dub / Jiří Černický + Martin Kolarov, Kateřina Palešníková, Jakub Choma, Adam Vít/ Tereza Fišerová + Evžen Šimera / Zdena Kolečková + Marija Mandić / Pavel Kopřiva + studenti ateliéru Interaktivní média FUD UJEP Ústí nad Labem / Alena Kotzmannová + Dominik Gajarský, Roman Štětina / Lukáš Machalický + Robert Šalanda / Adéla Matasová + Jan Jakub Kotík a Tomáš Kotík / Barbora B. Němcová / Jan Rous + Aleš Čermák / Eva Sakuma / Michal Sedlák / Tereza Severová, Tereza Velíková / Richard Wiesner + Krištof Kintera

Petr Dub: A Colony of Freedom (Possibilities of the New National Style) Gallery Kvalitář, Praha Curator: Monika Čejková Opening: Thursday, 22 September 2016 at 7 pm. The “Kolonie Svobody – Colony of Freedom” project is related to the urbanistic development of the Vinohrady neighborhood of Prague, especially around the area of the buildings of that name that were constructed in the national style of the first half of the 1920s in Na Šafránce Street near where Dub himself now lives. It is also related to the nearby Vlasta housing estate in the neighborhood of Vršovice, which was created during the 1970s especially for the inhabitants of the village of Milovice. Those people were moved out of their homes in order for the Soviet Army to be accommodated in that village. Dub naturally perceives the gradual transformation of these places over time and the later, very often insensitive interventions into the original constructions – for example, what is at first glance an apparently new concept of a façade, or the unobtrustive deformation of a Rondo-Cubist element. “Both sites are just a couple of hundred meters away from each other, but they represent two diametrically different architectonic periods and to walk from Korunní Street towards Moskevská Street is like traveling through time. As one orbits, meter by meter, down the hill, what changes, meter by meter, in a fascinating way, is not just the architectonic tone of the city, but primarily the social segment of its inhabitants. Up on the hill the buildings are predominantly beige-colored, sandy brown or dark red. Kazažšská, Tádžická, Magnitorská Streets and their environs correspond to an apricot-strawberry mood that is attempting to ‘originally’ distinguish itself from the surrounding buildings. The beginning of an ideological battle over living space is notionally staked out by Gočár’s Church of St. Václav, dressed in white. It is as if faith in a simple, white ideal connects both irreconcilable camps,” Dub describes his impressions. Dub previously investigated the devaluation of historical buildings in his above-mentioned project for the Nika Gallery. For that project, what served as a prototype was the insulation of a dysfunctional Functionalist building on Kotlářská Street in the center of Brno. His exhibition “In-sue-lie” at Galerie 207 responded to the neglected state of the local gallery walls and to housing for the lower class; in addition to videos, he presented the Czech flag in the colors of pink, pistachio, and a creamy yellow, i.e., the shades that also show up in the “Kolonie Svobody – Colony of Freedom” installation. Dub is researching both of these different architectonic phenomena as psychosocial phenomena reflecting certain needs of a given historical period. His installation for Kvalitář comes out of his observations and reflections on the insensitive use of color in architecture. Dub works with the samples of a particular paint company and intuitively applies the chosen shades to the surface of the actual architectural volume and spatial configuration of the gallery halls. "The intention of the installation reflects the dialogue between architectonic surfaces in these dominant color tones, whether connected with a specific architectonic style, form, or various historical eras of architecture. The gallery is therefore painted in a combination of façade colors and signs demonstrating the transition among various ways of handling color in architecture. Where, basically, does individual freedom end and collective responsibility for the public space begin? What will be the color of the Czech future?” Dub exaggeratedly asks when describing the project overall. The coats of paint follow locally specific elements, including the alcoves and the vaulted roof. Empty parts of the walls become equal elements of the resulting “painting”. The emphasis is on integrality even as the interior becomes a painted composition.

Petr Dub: A Colony of Freedom (Possibilities of the New National Style) Publisher: Gallery Kvalitář, Praha Texts: Petr Dub, Monika Čejková, Vendula Hnídková Concept: Monika Čejková Graphic design: Štěpán Marko Photo: Studio Flusser Year: 2016 Colors utilized on and within architecture automatically incite emotion, create an atmosphere. They are unavoidable, impressive, even if we perceive structures as colorless. Every epoch in the dynamic evolution of style the architecture of the 20th century had undergone showed a different relation to the color schemes of buildings and their significance. The “white” functionalism or the “grey” panel social housing can emerge in a direct association. Other less commonly known styles too, however, had an intense affinity for color, which remained one of the basic means of expression architects can work with and one that is easily accessible for the clients to comment on… Read more by Vendula Hnídková here…

Field of resonance (Václav Boštík, Petr Dub, Vladimír Škoda) Gallery of Modern Art Roudnice nad Labem Curator: Nina Michlovská Opening: 29 September 2016 at 5pm

Petr Dub selected for the Curatorial Program for Research. Many thanks to: Center for Contemporary Arts Prague

Performance called: Past, points, future part of Aleš South Bohemian Gallery Night Come and join us! Ajg (Woltner's House, České Budějovice) 3. 6. 2016, 7 - 9 p.m.

Petr Dub: The Happy family and The Merry family Gallery Lauby, Ostrava Opening: 17. 5. 2016, 7 p.m. The exhibition lasts: 17. 5. - 5. 6. 2016 Curator: Tomáš Knoflíček

Green Party and Spolek Skutek Union cordially invites you to public discussion: "One percent for public art - Cultural politics of public monuments". Studio ALTA U Výstaviště 21, 17000 Praha 19. 5. 2016, 7 p.m. Panelists: Anežka Bartlová - curator and art critic Petr Dub - visual artist, chairman of Spolek Skutek Union Pavel Karous - sculptor, author of Vetřelci a volavky Matěj Stropnický - chairman of Roman Týc - visual artist, member of Ztohoven Tomáš Vaněk - visual artist, rector of Academy of Fine Arts in Prague Event at FCB: https://www.facebook.com/events/1702443970027673/

Petr Dub (Spolek Skutek Union) and Pavel Karous at Czech National TV on One percent for public art. Watch discussion at: http://www.ceskatelevize.cz/porady/10744312704-jasna-rec-josefa-chuchmy/216411000180017/

Public space and Pardubice 2016 Petr Dub, Spolek Skutek Pavel Karous, Aliens and herons Jakub Hendrych, The Prague Institute of Planning and Development (IPR Prague) Josef Chuchma, ČT Art Discussion at: https://www.youtube.com/watch?v=_cTXP0H5yOI&feature=youtu.be

Czech TV on actual show at Gallery NTK: http://www.ceskatelevize.cz/ct24/kultura/1709767-neni-obraz-jako-ctverec-shaped-canvas-maluji-i-s-jablkem

Gallery TIC Radnická 4, 658 78 Brno 16. 3. 2016, 5:30pm Uncertainty of Artist´s life? by Blahoslav Rozboril (Masaryk University Brno) & Jana Pisarikova (Moravian Gallery Brno) The paper focuses on fine art producers, their subjective experience of their existential situation and the strategies used to solve it. The text is based on empirical material – a survey in a written form, in which Czech artists born in 1970s and 80s who entered the art scene after the year 2000 are being interviewed (Vasil Artamanov, Matej Al-Ali, Veronika Bromová, Petr Dub, Pavel Sterec, Jana Doležalová, Pavla Malinová, Oldřich Morys, Katarina Hladekova, Tomáš Hodboď, Vendula Chalánková, Eva Jiřička, Lukáš Karbus, Lenka Klodová, Roman Štětina and Martin Zet). The respondents answered a set of 20 questions via email. The paper puts the research in a diachronic context by comparing it with a similar survey carried out in the 1930s (On the Social Position of Czechoslovak Writer. A Survey by the U-blok magazine). The comparison suggests that the changes between the two periods in focus only apply to several parametres entering the situation. However, most elements of the living situation of an art producer seem to be constant. Similar practices and strategies in the solving of various situations have been repeated over decades, even though art producers perceive everydayness as the challenge to employ their creativity. The most frequent (and researched with a priority focus) solution of an artist securing their living is by working in an educational institution. Many authors nevertheless perceive their pedagogical activities as a mission extending their attention to the external world into another dimension of their authorial undetakings. Part of the respondents see the lack of security in their lives as an ambivalent element interconnecting freedom with a voluntary acceptance of limitations. It seems artists are better equipped for the confrontation with social unequality or economic crisis thanks to their accepted uncertainty. However, they see some aspects of their situation as a privilege

J&T Banka Art Index 2016 Petr Dub shortlisted for J&T Banka Art Index which is mapping the most interesting contemporary artists in the Czech Republic 40th position in 2016 More at: http://jtbankartindex.com/zebricek-umelcu/  

Interview for Události (university magazine of alma mater - BUT) Czech version only at: https://zvut.cz/lide/lide

Gallery NTK presents Shaped Canvas Artists: Radek Brousil, Petr Dub,  Jiří Franta a David Bohm, Jan Kaláb, Milan Salák, Eva Škrovinová, Ivan Vosecký Curator: Milan Mikuláštík Národní technická knihovna Technická 6, Praha 6 Open: mo-fr 10-18 sa 10-16 Free entry

Viktor Valášek: Matěj Smetana, Markéta Hlinovská, Petr Dub, Juliana Höschlová, Pavla Gajdošíková, Jan Pfeiffer, Mira Gáberová, Miroslav Hašek, Petra Herotová, Conrad Armstrong An opening of the exhibition on Tuesday, March 1, 2016, from 6 p. m. The exhibition will run until March 23, 2016 Curator: Lenka Sýkorová The Altán Klamovka Gallery you will find in park Klamovka, Tram no. 4, 9, 10 & 16 http://viktorvalasek.com/ Viktor Valášek graduated from Academy of Fine Arts in Prague. He studied in Painting Studio of Vladimír Skrepl, Painting Studio of Zdeněk Beran and Printmaking Studio of Jiří Lindovský. He has also been on study visits to Porto, New York, and a one-semester educational stay in Intermedia Confrontation Studio of Jiří David. His production is typified by exploration of socio-political themes using classic art techniques, painting and drawing. For a long time he devoted himself to painting prominent mountains, dominant landscapes that can be viewed in a wider political context as symbols of this or that ideology. A mountain as a symbol of opinions, truths and lies was depicted by the artist as a central composition on a green background (greenscreen). An important role was played here by his commitment to the process of creation because the painting of a mountain was usually preceded by its physical ascent. The principle of vanquishing, getting to know local customs and then artistic rendition is significant for the work of Viktor Valášek. The process of seeking inspiration, getting to know a milieu and establishing new human relations is as valuable as the work in which everything is merged. In the project for Altán Klamovka Viktor Valášek reflects on its recent exhibition history that focused on the drawing medium. He asked the preceding exhibitors to donate to him a drawing which need not have been linked to a specific exhibition at Altán Klamovka. The selection criterion was that those artists had exhibited here. Viktor Valášek then redrew the drawings and recycled them to produce a new work of art. The artist’s contribution does not lie merely in the postproduction of the works but above all, in the process of creation, which is visiting selected artists’ studios and fostering the relations on the local art scene. The artist used a similar painting project in New York or Dakar, where it was largely a question of entering the art scenes.

Petr Dub: House Sign Nika Gallery (the vestibule of subway station Karlovo náměstí, Prague) Curator: Tereza Jindrová The exhibition will last: 15. 2. - 7. 3. 2016

Exhibition Closing Party and Catalogue Launch TESERACT 2. 12. 2015 – 17. 1. 2016, Galerie AMU, Praha Matěj Al Ali, Hynek Alt, Alžběta Bačíková, Zbyněk Baladrán, Radek Brousil, David Böhm a Jiří Franta, Romana Drdová, Petr Dub, Peter Fabo, Barbora Fastrová, Jan Haubelt, Juliana Höschlová, Tomáš Hrůza, Jakub Jansa, Pavel Jestřáb, Antonín Jirát, Eva Jiřička, Martin Kolarov, Alena Kotzmannová, Václav Kopecký, Eva Koťátková, David Krňanský, Matouš Lipus, Martin Lukáč, Jan Martinec, Jan Maštera, Marek Meduna, Josef Mladějovský, Matěj Pavlík, Anna Ročňová, Mark Rohel, Janek Rous, Rudolf Samohejl, Iveta Schovancová, Martina Smutná, Tomáš Svoboda, Roman Štětina, Petr Šprincl a Marie Hájková, Jiří Thýn, Jakub Tomáš, Aleksandra Vajd, Miroslava a Vladimíra Večeřovy, Ladislav Vondrák, Dušan Zahoranský, Iryna Zakharova, Aleš Zapletal, Junsheng Zhou Exhibition Concept: Hana Buddeus, Filip Dvořák, Štěpán Marko, Jaromír Skácel Catalogue Concept and Graphic Design: Štěpán Marko, Jaromír Skácel Photography: Hynek Alt Exhibition Architecture: Jan Martinec Translation: Olga Pek Galerie AMU Hartigovský palác – vchod z průchodu do ul. Tržiště Malostranské náměstí 12, Praha 1 www.facebook.com/galerie.amu www.g.amu.cz

SPZ Gallery The evening will see the launch of a new publication “Do you jump queues?”, presenting a cross-section of SPZ’s activities over the last five years in a series of interviews with selected artists who have had exhibitions at the gallery. Do you think itís important to go to private views? Probably not, I donít go to very many. Itís probably important that people go to them, but it doesnít have to be me. Is there anything that bothers you about art? The way you have to know people if you want to have an exhibition, that isses me off a bit. Do you collect anything? I do, soft toys from Billa, but I need to stop doing that. They had a promotion where I picked the first one, and since then I want to have one from every promotion. Are you satisfied with your work? Absolutely.

The Article Front page image - Sarah Gold from The Hyper-hybrids Cycle/Porn Star Selection  Issue December 2015 Text: Bára Alex Kašparová, editor in chief

Painting. Picture. Object. Relief. Installation. Material. Space. Relations. Shape. Non/ boarders. Solid or soft. Vertical, horizontal, centricity. Colour, non-colour. Shadow. Stroke but not a gesture? Shades. Shiver? Segmenting. Surface, depth. Island. Shine as a surface? Drawing, dragging. As if something was about to follow, to ascend a prepared pedestal. Weight. Variants. Rarity. Nascence. A pregnant picture. Alien. Tumors. There isn’t a proper point of view, more possibilities. Front and underside. Attraction. Stain. Light. Hand tremble. Folding, geology, but. Circle. Place. Swing. Bones. Thinning and growing. Delight. Watch here...

Teserakt Gallery Amu 1. 12. 2015, od 6 p.m. Curators: Hana Buddeus, Filip Dvořák, Štěpán Marko, Jaromír Skácel Participating artists: Matěj Al Ali, Hynek Alt, Alžběta Bačíková, Zbyněk Baladrán, Radek Brousil, David Böhm a Jiří Franta, Romana Drdová, Petr Dub, Peter Fabo, Barbora Fastrová, Tereza Fišerová, Jan Haubelt, Juliana Höschlová, Tomáš Hrůza, Jakub Jansa, Pavel Jestřáb, Antonín Jirát, Eva Jiřička, Markéta Kinterová, Martin Kohout, Martin Kolarov, Alena Kotzmannová, Václav Kopecký, Eva Koťátková, David Krňanský, Matouš Lipus, Martin Lukáč, Jan Martinec, Jan Maštera, Marek Meduna, Josef Mladějovský, Matěj Pavlík, Anna Ročňová, Mark Rohel, Janek Rous, Rudolf Samohejl, Iveta Schovancová, Martina Smutná, Tomáš Svoboda, Roman Štětina, Petr Šprincl a Marie Hájková, Jiří Thýn, Jakub Tomáš, Aleksandra Vajd, Miroslava a Vladimíra Večeřovy, Ladislav Vondrák, Dušan Zahoranský,  Iryna Zakharova, Aleš Zapletal, Junsheng Zhou

Evening sale 2015 - POST-WAR & CONTEMPORARY ART - ACB Thursday 26. 11. 2015 at 6.30 p.m. Auction Catalogue  Auction exhibitions - EVENING SALE - POSTWAR & CONTEMPORARY ART Items for this auction will be presented in galleries 1. Art Consulting Brno - Prague: Topicuv salon, Prague 1, Narodni trida 9 18. 11. - 26. 11. 2015 (10.00 - 18.00 h. / incl. weekend)

Work named  APO, IPU, NEURO, Reframed Cycles /APU (2011 ) at Etcetera Auction Term: 21st November 2015 – 6.30 p.m. Place: Kvalitář Gallery Catalogue download: here... pre-auction exhibition - Brno 9. − 14. November 10 − 17h (Sat 10 - 15) Etcetera, Třída kpt. Jaroše 12, Brno pre-auction exhibition - Prague 17. − 21. November 10 − 18h Kvalitář Gallery, Senovážné nám. 17, Prague

Petr Dub: In-sue-lie Gallery 207, UMPRUM, Pragu, CZE Curator: Petr Krátký Installation will last: 2. 11. - 3. 11. 2015 Artist presentation: November 3rd

Prize of Art Critics for Young Painters 2016 Association of Art Critics / Czech Section AICA Theme: PAINTING AND ITS OVERLAPPING JURY: Petr Dub, Lenka Lindaurová, Petr Malina, Radek Wohlmuth (za pořadatele Vlasta Čiháková Noshiro a František Zachoval). More info. zde...

Matěj Al Ali, Petr Dub, Tomáš Moravec Depo2015, Presslova 14 The closing ceremonious of project Statue to Pilsen "Art, or any cultural event, is inevitably a part of what we call political or social development. The fact that Pilsen has won the European Capital of Culture title for this year is a proof that the city wants to play a more prominent role, not just in the Czech Republic but within Europe, too. An official statement of this kind is, however, no guarantee that the desired plan will actually be accomplished. Matěj Al Ali, Petr Dub and Tomáš Moravec will create a Statue for Pilsen which they will take to one of the European twin cities before they unveil the sculpture to Pilsen citizens, as a message that a European-scale event is happening in Pilsen. After several months of this “diplomatic stimulation” in one of the twin cities, the artefact will be returned back to Pilsen and local citizens will be able to decide where should the Statue to Pilsen be installed." Watch the event here: https://www.facebook.com/events/413376478829288/

Artistic Life: Uncertainty and Dilemmas ESA conference on 28. 8.  2015  from 4 pm - 5.30 pm at CTU in Prague, Faculty of Architecture Uncertainty of Artist´s life? by Blahoslav Rozboril (Masaryk University Brno) & Jana Pisarikova (Moravian Gallery Brno) The paper focuses on fine art producers, their subjective experience of their existential situation and the strategies used to solve it. The text is based on empirical material – a survey in a written form, in which Czech artists born in 1970s and 80s who entered the art scene after the year 2000 are being interviewed (Vasil Artamanov, Matej Al-Ali, Veronika Bromová, Petr Dub, Pavel Sterec, Jana Doležalová, Pavla Malinová, Oldřich Morys, Katarina Hladekova, Tomáš Hodboď, Vendula Chalánková, Eva Jiřička, Lukáš Karbus, Lenka Klodová, Roman Štětina and Martin Zet). The respondents answered a set of 20 questions via email. The paper puts the research in a diachronic context by comparing it with a similar survey carried out in the 1930s (On the Social Position of Czechoslovak Writer. A Survey by the U-blok magazine). The comparison suggests that the changes between the two periods in focus only apply to several parametres entering the situation. However, most elements of the living situation of an art producer seem to be constant. Similar practices and strategies in the solving of various situations have been repeated over decades, even though art producers perceive everydayness as the challenge to employ their creativity. The most frequent (and researched with a priority focus) solution of an artist securing their living is by working in an educational institution. Many authors nevertheless perceive their pedagogical activities as a mission extending their attention to the external world into another dimension of their authorial undetakings. Part of the respondents see the lack of security in their lives as an ambivalent element interconnecting freedom with a voluntary acceptance of limitations. It seems artists are better equipped for the confrontation with social unequality or economic crisis thanks to their accepted uncertainty. However, they see some aspects of their situation as a privilege. Read more at programme.esa12thconference.eu

Gallery U Dobrého Pastýře, Brno, CZE Curators: Katarína Hládeková a Marika Kupková Participating artists: Ondřej Basjuk, Isabella Grosseová a Jesper Alvaer, Roderick Hietbrink, Zuzana Janečková a Ondřej Homola, Svätopluk Mikyta, Zbyněk Mikeš, Peter Kalmus, Milan Salák, Aleksandra Vajd a Petr Dub Exhibition will last: 22. 7 - 22. 8 2015

petr dub the aesthetics of seduction gallery dům curator: petr vaňous benediktinské opatství sv. václava v broumově klášter broumov opening: 12. 6. 2015, 5 p.m. dates: 14. 6. – 2. 8. 2015

petr dub participating at: nord art 2015 kunstwerk carlshütte curator: wolfgang gramm exhibiton dates: 6. 6. – 4. 10. 2015 vorwerksallee 24782 büdelsdorf germany

we would like to invite you to the opening of milan salak’s curatorial project called the exhibition where it would be a shame not to attend and mistake to exhibit, which will take place on thursday 4 june 2015 at 7 pm. the exhibition will be open from 5 june to 30 july 2015. the exhibited artist list might feature: 
vasil artamonov, alexey klyuykov, ladislava gažiová, jiří david, vladimír kokolia, michal pěchouček, jindřich červeňák, martin polák a lukáš jasanský, kurt gebauer, miroslav pesch, markéta othová, veronika bromová, jan kadlec. conrad armstrong, julius reichel, martin prudil, radim langer, patrik kriššák, anne-claire barriga, adéla součková, adam souček, zbyněk baladrán, kateřina fojtíková, antonín střížek, david černý, barbora pivoňková, jan haubelt, pavel humhal, viktor valášek, lucie rosenfeldová, jana bernartová, jiří skála, evžen šimera, ondřej brody, marek meduna, luděk rathouský, dominik lang, kateřina vincourová, diana winklerová, sláva sobotovičová, jiří černický, václav magid, tadeusz bartoš, ondřej kopal, hynek alt, milan mikuláštík, ivan vosecký, tamara mojzes, radek macke, pavel sterec, martin mainer, lukáš rittstein, karel balcar, petr malina, daniela baráčková, richard wiesner, milena dopitová, barbora fastrová, barbora švehláková, beata alexová,veronika drahotová, eliška pokorná, filip turek, františek kowolowski, jan miko, hynek vacek, isabela grosseová, ivan kafka, ivana kohlhammer, jan kukla, jan nálevka, jana kalinová, jiří franta, jiří petrbok, jolana kahounová (ruchařová), martin káňa, kryštof kintera, klára nejezchlebová, pavel kopřiva, alena kotzmannová, petr kožíšek, kristýna lutzová, kryštof vancl, ladislav vondrák, libor kaláb, matouš lipus, lubomír typlt, marek bureš, martin hrubý, martin prudil, martina uhlířová, milan houser, milena průšková (olivová), michaela petrů, monika havlíčková, michal nesázal, martina niubo (klouzová), noam darom, kateřina novotná, ondřej kraják, ondřej opekar, patricie fexová, pavel baňka, pavel jestřáb, pavel karous, pavel matela, pavel šmíd, petr dub, petr krátký, petr lysáček, petra herotová, radim langer, rebeka kloudová, michael rittstein, robert šalanda, šimon rokyta, roman kudláček, rudolf skopec, sabina hašková, aleksandra vajd, jáchym šerých, tereza severová, ondřej skala, vladimír skrepl, jakub špaňhel, tomáš svoboda, šárka koudelová, adam štech, tereza velíková, marek ther, tomáš polcar, tomáš prchal, tomáš vaněk, jaroslav valečka, václav kokeš, veronika holcová, vladimír turner, vladimír vávra, adéla kostkanová, andrew hauner, františek procházka, lucie patáková, lucie michnová, miroslava večeřová, stanislav zámečník, josef bolf, dagmar šubrtová, mario chromý, šárka trčková, zdeněk daněk, milan salák, markéta hlinovská, sabina hašková, martin zet, jana šindelová, michal motyčka the current exhibition in the kvalitář gallery thematises one of the fundamental, while not frequently mentioned, exhibition principles. its author milan salák responds to the relationship of the professional public to group exhibitions and shows. within the installation of the exhibition, the expected presentation of an artefact is reduced to introducing the author’s name. the selection of “participating” artists corresponds to the standard way in which curators approach similar shows. well-established brands are complemented with less common names as the exhibition’s author finds it appropriate in terms of the concept or otherwise. the selection meets the predictable requirements of a representative show. missing are only those to whom the curator did not give a phone call. a largely unexpected refusal to “participate in the exhibition” was not accepted from anyone. and yet, those who are not at the exhibition still represent an overwhelming majority. all the refreshment prepared for the exhibition opening will be consumed to celebrate the exhibiting elite. but surely, not everyone who will be thirsty that evening will be satisfied. nevertheless, one may assume that it will not at all affect the way in which the exhibition will be accepted. accompanying program:
the exhibition where it would be a shame not to attend and a mistake to exhibit
(discussion sessions of curator milan salák and his guests) 11 june 2015, 6:00 pm
the shame not to attend (issues of professional activity in the art scene)
(ondřej brody, jiří david, anetta mona chisa, silvie šeborová, and evžen šimera) 18 june 2015, 6:00 pm
reasons and consequences of “negative exhibiting”
(vasil artamonov, ondřej chrobák, alexey klyuykov, vladimír kokolia, and jiří skála) 25 june 2015, 6:00 pm
artistic gesture: its value and sense in relation to the nature of the exhibition institution
(zbyněk baladrán, petr dub, kateřina kastner, gabriela kotíková, and marek meduna) 2 july 2015, 6:00 pm
the effect of the art education system on shaping the art scene
(artedu.cz, isabela grosseová, tereza jindrová, lucie šmardová, and tomáš vaněk) 23 july 2015, 6:00 pm
the importance of exhibition undertakings with respect to the region
(jana bernartová, michal koleček, jiří ptáček, and luděk rathouský)

ZEN PILSEN – city as exhibit 7 installation in public space / 7 places / 7 artistic groups / 7 moths Dates: 28. 4. – 27. 11. 2015 Curator: Rostislav Koryčánek Participating artists: Matěj Al Ali, Jiří Beránek, Petr Dub, Pavel Karous, Eva Koťátková, Dominik Lang, Michal Moravčík, Tomáš Moravec, Michal Pěchouček, Pavla Sceranková, Michal Šeba, Benedikt Tolar, Dušan Záhoranský, Martin Zet, sculpture studio students of FDULS ZČU

a survivor’s diary at artyčok.tv... Petr Dub is a (post) conceptual artist. He systematically examines the medium of hanging painting, or rather the current position of painting. Dub’s paintings are indeed indisputable results of manual, and let us add, often very challenging and sophisticated activity, yet the used verb “examine” is not a meaningless synonym for “painting” in his artistic practice. It primarily refers to the conscious mental activity that precedes the actual process of painting. Petr Dub is also the author of one of the few, if not the only Czech written theoretical study, which reflects the local post-conceptual painting in the context of the current discourse of art. The book, published under the title Selected Post-conceptual Approaches in the Contemporary Czech Painting, was the output of his PhD. studies at the Faculty of Fine Arts in Brno. Studying in Petr Kvíčala and Milan Houser‘s studio in Brno as well as a one-year internship at the Prague Academy of Arts Architecture & Design of Jiří David and Milan Salák were not in Dub’s case only a formal fulfilling of duties. Petr Dub managed, in confrontation with outstanding, but artistically and humanly different personalities, distill for himself a personal lesson, which forms a compact foundation of his current artistic trajectory. In gastronomy, which was actually the artist’s first career choice, it would be an analogy to the format of “fusion cuisine” combining the strong background of Brno conceptualism and the heritage of Prague postmodernism.
 
The title of the exhibition, A Survivor’s Diary, offers as one of the ways to read it, a commentary on the current situation. As the Survivor, for the reading subject is kept secret, we may appoint the Painting. The conceptual thinking and painting are in local stereotypes considered to be antagonistic directions. The defenders of paintings blame the conceptual approach not only for “incomprehensibility” of contemporary art, but also from the direct participation in the proclamation of the “end of painting”, which was mainly understood as an attempt to destroy the competition. In 1997 in Prague’s Rudolfinum Gallery there took place a program exhibition focused on the current situation of painting called The last painting. Post-apocalyptic jargon is, since than, a mandatory part of the rhetorical arsenal used to reflect the current status of painting. For Petr Dub, who exists on the tectonic breaking point of two irreconcilable worlds, similar references make flirtatious game. He winks to both sides, but he has already decided to remain single. He acts similarly in his artistic practice. He does not leave the field of traditional hanging painting on purpose. At the same time, however, he applies the strategies that in the history of at least the last fifty years, gradually led to its questioning and rejection. Sci-fi literature works with the possibility of time travel, the intervention in history could change, or rather reverse the present danger. Petr Dub does not seek a revision of history. He knows too much for that. It seems that he rather tries to use the potential that remained fallow in the past on the altar of rapid, avantgarde method. Hybrid status, when an art work contains also the genetic code of its own end and (re) birth represents for us, the survivors, one of the relevant reasons to continue to seriously deal with art.
 (
Ondřej Chrobák)

start up position Emil Filla Gallery Curators: Lenka Sýkorová & Romana Veselá, Karina Kottová, Jan Krtička Exhibition last: 12/3/2015 - 15/4/2015 Artists: Jakub Cabalka & Jakub Červenka, Aleš Čermák, Petr Dub, Kristýna Fuksová, Markéta Jáchimová, Aleš Loziak, Petr Malina, Libor Novotný, Natalie Perkof, Jan Pfeiffer, Michaela Spružinová, Johana Střížková, Viktor Valášek

petr dub an associative match altán klamovka gallery curator: lenka sýkorová opening: 31. 3. 2015, 6 p.m. exhibition dates: 31. 3. – 26. 4. 2015

petr dub a survivor’s diary fait gallery curator: ondřej chrobák opening: 22. 1. 2015, 7 p.m. exhibition dates: 24. 1. - 19. 3. 2015 Petr Dub is a (post) conceptual artist. He systematically examines the medium of hanging painting, or rather the current position of painting. Dub's paintings are indeed indisputable results of manual, and let us add, often very challenging and sophisticated activity, yet the used verb "examine" is not a meaningless synonym for "painting" in his artistic practice. It primarily refers to the conscious mental activity that precedes the actual process of painting. Petr Dub is also the author of one of the few, if not the only Czech written theoretical study, which reflects the local post-conceptual painting in the context of the current discourse of art. The book, published under the title Selected Post-conceptual Approaches in the Contemporary Czech Painting, was the output of his PhD. studies at the Faculty of Fine Arts in Brno. Studying in Petr Kvíčala and Milan Houser‘s studio in Brno as well as a one-year internship at the Prague Academy of Arts Architecture & Design of Jiří David and Milan Salák were not in Dub’s case only a formal fulfilling of duties. Petr Dub managed, in confrontation with outstanding, but artistically and humanly different personalities, distill for himself a personal lesson, which forms a compact foundation of his current artistic trajectory. In gastronomy, which was actually the artist's first career choice, it would be an analogy to the format of "fusion cuisine" combining the strong background of Brno conceptualism and the heritage of Prague postmodernism.   The title of the exhibition, A Survivor’s Diary, offers as one of the ways to read it, a commentary on the current situation. As the Survivor, for the reading subject is kept secret, we may appoint the Painting. The conceptual thinking and painting are in local stereotypes considered to be antagonistic directions. The defenders of paintings blame the conceptual approach not only for "incomprehensibility" of contemporary art, but also from the direct participation in the proclamation of the "end of painting", which was mainly understood as an attempt to destroy the competition. In 1997 in Prague's Rudolfinum Gallery there took place a program exhibition focused on the current situation of painting called The last painting. Post-apocalyptic jargon is, since than, a mandatory part of the rhetorical arsenal used to reflect the current status of painting. For Petr Dub, who exists on the tectonic breaking point of two irreconcilable worlds, similar references make flirtatious game. He winks to both sides, but he has already decided to remain single. He acts similarly in his artistic practice. He does not leave the field of traditional hanging painting on purpose. At the same time, however, he applies the strategies that in the history of at least the last fifty years, gradually led to its questioning and rejection. Sci-fi literature works with the possibility of time travel, the intervention in history could change, or rather reverse the present danger. Petr Dub does not seek a revision of history. He knows too much for that. It seems that he rather tries to use the potential that remained fallow in the past on the altar of rapid, avantgarde method. Hybrid status, when an art work contains also the genetic code of its own end and (re) birth represents for us, the survivors, one of the relevant reasons to continue to seriously deal with art. (Ondřej Chrobák)

Petr Dub / Jan Gerych / revue burningDOWNtheHOUSE na Radiu R http://www.mixcloud.com/burningboy/burningdownthehouse55-petr-dub/

J&T Banka Art Index 2015 Petr Dub shortlisted for J&T Banka Art Index which is mapping the most interesting contemporary artists in the czech republic More at: http://jtbankartindex.com/zebricek-umelcu/

"osobliwa materia" review by maria niemyjska beautiful places, memories of the most awful stories at menazeria.eu...

Petr Dub and Tereza Stejskalová about Spolek Skutek Union. Radio Wave: https://wave.rozhlas.cz/spolek-skutek-umelci-se-spojuji-k-dialogu-s-institucemi-5213070

Electra Blue (2013, Hyper-hybrids Cycle / Porn Star Selection) by Petr Dub at Contemporary Art Auction - 2014. On-line catalogue: here...

(re)framed - exhibition review by piotr sikora at magentamag.com...

petr dub another way how not to create paintings gavu - small gallery curator: marcel fišer opening: 8th of October, 5pm the exhibition last till: 4. 1. 2015 Another way how not to create paintings Artworks created by Petr Dub (1976) in the past few years take a form of high reliefs with soft transitions, such that in combination with the color applied by spraying they resemble details of bodyworks of opalescent metallic paint or abstract computer rendering of the surface of a planet. However, their basis remains in a canvas and they are also hung on a wall, like paintings. Otherwise, they differ greatly from what most people imagine when hearing the word “painting”, which may include many variations (i.e. styles, contents, techniques, materials, etc.), yet the common denominator is its spatial definition, or special limitations. A sheet-like shape of regular, mostly rectangular format, until recently represented the universal basis within which the story of art history had been written in paint. Petr Dub´s artwork supports the famous thesis of the theorist of abstract expressionism Clement Greenberg (while at the same time he is in conflict with him) which states that each medium is directed toward the development of its awareness of itself and its innermost resources, which for Greenberg was the journey from illusion and literary contents to universal non-representative painting, whose content and purpose lies in the painting itself. Dub´s images/objects add to that one of the ways in which to continue the story and lies in the fact that the media at some breaking point turn against each other, begin to mutate, or interfere, and push their own boundaries. As the exhibition title illustrates, this is the theme of Dub's work. When we look back at what has preceded these elements in his work before, we find that he consistently addresses some issues and that the tension between the artwork and its deconstruction or disputation plays a principal role for him. Already during his studies he was intrigued by abstract image, especially by monochrome, and specifically by painting problems, such as work with gestic style. If his later works are formally very impressive and visually appealing, the former could be an example of "bad painting" in the category of abstract painting; he called them Antipaintings. It seems that the author had tested the possibilities of abstract painting while looking for a theme, which eventually and paradoxically became the testing itself. This is also illustrated by the next cycle Unframed that has, for the first time, drawn the attention of the expert public. "Unframed" – i.e. "frameless" – in this context means not only without a traditional frame, which modern painting has gotten rid of long before, but, furthermore, without stretching frame, a kind of primordial material skeleton of a painting. Canvases of irregular shapes were sometimes hung directly on the wall, looking like patches of color, sometimes they were also crumpled, hence creating irregular amorphous structures. From there it was not a long way off to creating works that preserve the principle of a painting as a relief image object, but the irregularities and collapse were substituted by smooth stretched shape. His works are therefore on the one hand impressive aesthetic objects, yet, on the other, the result of complicated thinking about painting as a specific entity in the art-historical context, of thinking that takes place here and now. Therefore it could be said about them that although seemingly autonomous and as if standing outside the reality of our contemporary world, they are at the same time its adequate, though perhaps subconscious, expression – if only by the emphasis on smooth, design-like surface or by the focus on subtle artistic problems emerging in times when reality is so complicated that we cease to understand it. (Marcel Fišer, 2014) Exhibition preview here...

exhibition preview here...

Petr Dub, Marek Habr and Zdeněk Porcal (re)reframed gallery kvalitář, senovážné náměstí 17, praha 1 opening hours: Mo–Th 10am-6pm, Fri 10am-4pm the exhibition last till: 14. 11. 2014 exhibition spot: one-minute-shot.com The “Kvalitář” Gallery confirms its identity as a meeting point of contemporary art, architecture and design through the project of the trio of authors of Petr Dub, Marek Habr and Zdeněk Porcal. The exhibition's concept represents appropriation approaches associated with a new attitude to the interpretation of Petr Dub's long- running series entitled Reframed. The central theme of this series consists in primarily the work or “reformatting” the medium of the classical suspension painting into an object on the borderline of a painting and object. The resulting work of art examines the current technical possibilities of the painting medium, openly reflecting the layout of the exhibition or architectural space with different social functions. In the instant case, however, searching for an optimal relationship between the arrangement of three-dimensional objects and specific installation possibilities goes beyond simple variations of different perspectives. Petr Dub is well aware that the subsequent photographic documentation has only a limited capacity to mediate the viewer's physical situation and becomes permanently independent as an autonomous form of the interpretation of reality. He does not perceive the moment when the photographer steps on stage as uniquely mechanical, and in this respect, he also understands the uniqueness of the activity of his colleague Zdeněk Porcal, with whom he has been cooperating on the Reframed series since 2011. Mutual cooperation has ultimately led to purely photographic outputs in which Zdeněk Porcal interprets the whole series reversely using a simple figure of reading the figure and background. He uses the wooden lath coated with his colleague's canvas in the series of dozens of shots as a photographic aid to measure the landscape and architecture. The (RE)FRAMED exhibition finally reunites both approaches with an architectural (non-)solution of architect Marek Habr, co-founder of the “Kvalitář” Gallery and Studio. In the final installation, Marek Habr abandons the initial idea of the specific construction presenting the original “model and picture”, leaving the gallery space seemingly empty to facilitate understanding of different realities. As presented by the trio, the dimly lit gallery turns into a trap to reality, becoming a screening room where the still moments of the real world are confronted with their immediate artistic reflection. Exhibition is held within Fotograf Festival # 4 – "seeing is believing" / www.fotografestival.cz

L'espace de l'espèce: Beyond the Abstract and the Concrete kunstfabrik hb55, berlin, de curator: kerstin godschalk opening: 17. 9. 2014, 7 p.m exhibition dates: 17. 9. – 18. 10. 2014 participating artist: Victoire Decavèle, Jennifer Eberhardt, Amy Goodwin, Rieko Hotta, Ida Koitila, Christian Juan Page, Stefan Reiss, Clémentine Rettig, Yooree Yang special guest: Petr Dub On two floors you can encounter 10 artistic works rendering materiality in their own special ways, having one thing in common: they are neither abstract nor concrete. United by the concerted approach to the medium itself the works are seeking to deviate from dichotomies, genres and disciplines: the exhibtion pursues to revitalizise contents - without any obvious reference. The transcendantal moment encountered throughout the works and the exhibition's extended program exceeds towards their physicality: "Hyperobejcts have finally done what decades of avant-garde experimentation have been unable to do: they have broken forever the aesthetic frame separating the viewer from the viewed and producing the aesthetic effect of distance, which Walter Benjamin called aura." (Timothy Morton). The exhibited works are open up and we encounter them without any concrete horizons. Their physicality constitutes their variety, reaching a point where relations dissolve. Without ending up in a moment of no return the works avoid non-refernciality by reaching a higher form of representation far beyond our presence: looking for a zero-person perspective. We are not talking about l'art pour l'art, neither dealing with any media syncretism, but embodiments of the artists, in their work and within the spectator. Those moments of encounter and embodiment being the culmination and essential elements of the works themselves. Extended program during the Art Week: 20. 9. - 7 p.m: Opening: Collections by Beware Creative 18. - 20. 9. : Live Painting by Beware Creative

handicap down to a 9 petr dub curator: richard bakeš gallery: berlínskej model (pplk. sochora, 170 00 prague 7) term: 10. 9. 2014, 7 p.m.

panic room Authors: Matěj Al-Ali, Petr Dub, Tomáš Moravec Curator: Rostislav Koryčánek Exhibition open until August, 3rd 2014 Motto: "Architecture is now generating instruments rather than monuments: its value is now determined by its ability to mutate, its ability to absorb program changes and the logic of chance. Ignasi da Solà-Morales says it is necessary to change architecture into a characteristic event, specific to to each case and place. " (Jana Ticha / da Ignasi Solà-Morales) Panic Room is the third project of the artistic trio Al-Ali, Dub and Moravec, dealing with issues of contemporary architectural development of cities and suburban landscapes. For their exhibition at Karlín Studios, they explore the possibilities of uses of modular system from construction units, which they represent in a stereotypical agencement of technocratical lines. The created scene looks like an ongoing construction, which final shape results from social demands together with the quality of the architecture itself. The project has been initiated and realised in collaboration and with the kind support of BEST, a.s. KARLIN STUDIOS KŘIŽÍKOVA 34 180 00, PRAHA 8 - KARLÍN OPEN: WED-SUN 12A.M.- 6P.M. ENTRANCE FREE THE YEAR-ROUND EXHIBITION PLAN OF FUTURA IS SUPPORTED BY: MINISTRY OF CULTURE.

publication "selected post-conceptual approaches in the contemporary czech painting" at fresh-eye.cz library the book entitled selected post-conceptual approaches in the contemporary czech painting reflects the author’s expressions of the youngest artists’ generation working with the conceptual forms in the painting medium after 1996. the aim of the dissertation is to outline the conflict and overlapping of the conceptualism and painting. apart from the development of conceptual art, the reference framework of the submitted thesis also comprises the post-modern turn in visual arts associated with a global change in its social status during the second half of the 20th and at the beginning of 21st century. the development of the domestic artistic scene and particular approaches are presented on the basis of a representative selection of the most distinctive tendencies and significant authors, being compared with the work of foreign artists. the text interprets the key theoretical treatises, reviewed responses and artists’ statements covering the domain of “contemporary painting to conceptual art”. author: petr dub publisher: favu but brno, 2012 isbn: 978-80-214-4656-4 designed by: studio kolektiv photo: michal krůl Downolad here: http://fresh-eye.cz...

an graduate versus reality main panel discussion at art festival seš-lost venue: KC THEATRE ŽELEZNÝ BROD, Husova 697 time: Sunday 8th of June from 1 p.m till 4:30 p.m. conception: tereza jindrová panel: Marek Číhal, Adéla Korbičková, Jana Doležalová, Petr Dub, Kristýna Fišerová, Adéla Korbičková, Barbora Pivoňková, Milan Salák and Vladimír Strejček petr dub's paper as part of a discussion focused on issues related to "social position" of art graduates (the relation between fine arts and its economy; experiences from negotiation with the state agencies; gender advantages and barrier, etc.

matěj al-ali, petr dub, tomáš moravec: handle with care and criticism gallery prádelna bohnice (psychiatrická léčebna bohnice, 181 02 prague) opening: 29th of april 4, 7pm the exhibition last till: 13th of June 6. 2014 open: wednesday, saturday and sunday, 2 - 7pm

reconstruction opening: 24th of April, 6:00 pm exhibition dates: 23.4. - 25. 5. 2014 gallery of emil filla – armaturka, jateční 49, ústí nad labem participating artists: Jana Babincová, Petr Dub, Marta Fišerová, Lukáš Jasanský & Martin Polák, Martin Kuriš, Ivana Lomová, Lukáš Machalický, Ján Mančuška, Jiří Petrbok, Jan Pfeiffer, Markéta Rampouchová, Dana Sahánková, Michal Sedlák, Martin Šárovec, Mark Ther, Tereza Voříšková

an artist, a villa and a swimming poll - publication launch venue: DOX - centre for contemporary date: 10th of April 2014, 7PM Petr Dub What mother had not told you about the exclusivity of arts and the school caretaker did not admit (About the role of artistic education and the (un)responsibility of contemporary arts) - press preview 7PM A publication that addresses the issue of relationships between art schools, art and real life. It contains essays by and interviews with leading personalities of the Czech art scene.

NULLA DIES SINE LINEA Post-conceptual overlap in the Czech drawing Gallery of Emil Filla Artists: Conrad Armstrong, Aneta Bendáková, David Böhm & Jiří Franta, Nikola Čulík, Michal Drozen, Petr Dub, Mira Gáberová, Pavla Gajdošíková, Daniel Hanzlík, Miroslav Hašek, Petra Herotová, Markéta Hlinovská, Markéta Jáchimová, Jan Nálevka, Libor Novotný, Jan Pfeiffer, Dana Sahánková, Matěj Smetana, Adéla Součková, Magdalena Stanová Curator: Lenka Sýkorová The concept of the exhibition: Eva Mráziková a Lenka Sýkorová Opening: Wednesday, 26 March 18 hours Exhibition Dates: 27. 3. – 17. 4. 2014 Armaturka, Jateční 49, Ústí nad Labem

How to collect art (Jan Tomáš) Petr Dub, Emil Filla, Karel Štědrý and Vladimír Novák presented by Luxury Guide, March 2014

J&T Banka Art Index 2014 Petr Dub shortlisted for J&T Banka Art Index which is mapping the most interesting contemporary artists in the czech republic More at: http://www.artplus.cz/cs/aukcni-zpravodajstvi/1/j-t-banka-art-index-2014

petr dub: what all we could do if we didn’t know how (the salon of class struggle cycles) gallery tic, brno, cze curator: marika kupková 3. 12. 2013 - 15. 1. 2014

jamais vu galeria sztuki wozownia rabiańska 20, toruń, poland          curator: maria niemyjska 22. 11. 2013 - 5. 1. 2014 opening: 22/11/13 - 6pm participating artist: agata biskup, przemek czepurko, petr dub, pavla sceránková, dominika skutnik Jamais vu is a group exhibition which aims to present one of the current tendencies in art, which is based upon focusing on visual and material construction of work of art.  It’s not similar to the traditional (modernistic) analysis of medium, but it’s rather an examination of the process of creating self-governing “visual units”. Selected artists operate with "mysterious, quasi-abstract" forms and constructions. They participate in a demiurgic creation of new visual realities, but they also make a reflexive approach to that. A possibility of unlimited visual creation does not fascinate anymore, but rather causes melancholy. Artists also analyze the process of emerging the meanings in work of art. Clearing and “test” filling the forms with half-readable significances bring out some mysterious and incomplete images/objects.  Realities created in recent art can be perceived as “jamais vu”. This notion in psychology names a sudden feeling of oddity and unreality of view. It calls conviction about deep complexity of visual and material world and provokes questions about the importance and  the need of abstraction today.

Petr Dub: Fore! (the salon of class struggle cycles) Gallery Kaluž Intersection of Podlahova street and Marie Pujmanové st. 10/10/13, 5 p.m. Enjoy friendly golf afternoon in the historical centre of Ostrava. Win a golden brick - join our tournament! More at http://www.galeriekaluz.wordpress.com/special thanks to Pilsner Golf Resort Hořehledy here...

matěj al-ali, tomáš moravec open call gallery weltecho, chemnitz, de 3. 8. - 30. 8. 2013 opening: saturday 3. 8. 2013, 6pm curator: petr dub more at: galerie.weltecho.eu The exhibition Open Call presents the duo of visual artists, Matěj Al-Ali (*1985) 
and Tomáš Moravec (*1985). The authors belong among the youngest representatives of „minimalist tendency“, which is the name of today´s stream of conceptualism in the Czech Republic. The mutual influence of both authors is based on sharing the partners’ know-how, but it reflects various individual approaches. Simply, it is possible to say that Al-Ali within the common work plays the role of a monumentalist and a performer, whereas Moravec is mainly a sensitive initiator and a technician of shared artistic instruments. Open Call is inspired by globally recognizable format of institutional calls for the creation of artworks or exhibitions „custom made“ for the commissioner. The projects builds on the thematic unit of the Gallery Weltecho for 2013 sub-titled Pfadfinder, but simultaneously it points out the problematic interface of contemporary international art and partial loss of authorial freedom within the rules of artistic operation. However, the conceptual answer in this case does not lie in institutional critique or, on the contrary, reflexive self-defence in the form of benevolent loose cooperation of a curator with artists – friends. The project limits the list of rules and regulations that condition the final form of exposed artworks. The authors are restricted in the planned installation by six key rules in total thematizing concepts as, for instance, dimension, target audience or copyright. Reduction of the creative field emphasizes the search for the content part of the whole year’s program of the Gallery Weltecho. This year´s theme of search and exploration is understood by Al-Ali and Moravec as study of the basic qualities of search. Through the revision of the relation between the measure of a human figure and the surrounding world, they undertake a playful tour in which they exchange traditional artistic disciplines for the demonstration of human capability to identify verified physical phenomena behind an abstract message. The authors´ videos and objects are manifestations of „basic research“. The „applied“ is left exclusively to the viewers. They themselves go beyond the drill of site specific cooperation and for the first time work together on a broader cycle of works that could be transferred into various galleries. The result of this constellation is not the constant negotiation of authors with gallery situation but defragmented installation paraphrasing main principles of scouting or, better, its idealistic background. The authors test legitimacy of graphic use of iconographic concepts (watch, flag, rope, etc.) and capacity of manipulation of a viewer through optical illusion. In an effort to escape from the curators‘ dictate they test the fragile border between ideals, ideology and demagogy. They practice diplomacy whose aim is not to push one´s own interests but rather the search for something that we may call collective sharing of authenticity.

Poison Green Participating artists: Matej Al-Ali (CZ), Silvina Arismendi (CZ/Uruguay), Mark Dion (USA), Petr Dub (CZ), Mathias Kessler (USA), Tomas Moravec (CZ), Yes Man (USA), Anne Percoco (USA), Katerina Seda (CZ), Klara Sumova (CZ), and Slavoj Zizek (Slovenia) Curators: Kristyna and Marek Milde CZECH CENTER GALLERY & ROOF TOP 321 E 73RD STREET, BTW. 1ST AND 2ND AVENUE OPENING: JUNE 25, 2013, 6:30PM – 8:30PM OPEN THROUGH SEPTEMBER 2, 2013 The exhibition project Poison Green explores the complexity of the environment together with conventions, stereotypes and ideologies inherent in our understanding of nature. Rather than painting green and romanticizing nature, the presented artists and concepts examine the consequences of the urban, post-industrial and virtualized reality we live in. Taking on the role of scientists, environmentalists and social workers, the artists and participants presented in Poison Green explore the environment through a multi-layered lens of culture and nature looking for possible environmental models socially integrated into our daily lives. The exhibition Poison Green is incorporated in a series of installations and visuals that extends from the gallery of the Bohemian National Hall to its rooftop, where a community garden project entitled Dinner Garden is installed. Here participants and visitors have the opportunity to experience the process of how to grow just enough food for one dish.

petr dub's work part of brno city museum collection current exposition: since modernity till now curator: ilona víchová brno city museum, špilberk 210/1, 662 24 brno opening: thursday 30th of May 2013 from 5pm more info. at: www.spilberk.cz

Board of Directors Election: Coffe Shop Divus, 18. 5. 2013, 2PM The initiative Mánes umělcům (Mánes for Artists) aims at a transformation of Nadace českého výtvarného umění (Czech Visual Art Fund) which administers the exhibition hall Mánes into a transparently organized institution that can better serve the artistic community. For this purpose the initiative has organized democratic elections of new nine members of the fund’s board who should replace the current ones and who will represent wide spectrum of artists, curators and theoreticians living in the Czech Republic. Elections will take place on May 18 from 2pm at DIVUS café. There will be also a „round table discussion“ during the vote. Petra Dub - Program of candidacy: http://manes-umelcum.tumblr.com/dub

art feed its interpreters latest interview by petr dub and marika kupková at artalk.cz

new studio address: moskevska 63 101 01 prague czech republic google maps search...

red8 AAD Galery curators: tereza jindrová & jen kratochvíl 12. 4. – 11. 5. 2013 opening: 11. 4. 2013, 6 pm participating artist: Hynek Alt a Alexandra Vajd, Anymade studio + Linda Dostálková, Jana Bernartová, Michal Czanderle, Romana Drdová, Petr Dub, Dominik Gajarský, Tereza Havlínková, Ondřej Homola a Katarína Hládeková, Vladimír Houdek, Pavel Karous, Adéla Korbičková, Karolína Mikesková, Tadeáš Podracký, Matěj Strnad, Jiří Thýn, Markéta VuTru Vysoká škola uměleckoprůmyslová v Praze nám. Jana Palacha 80, Praha 1 / entrance free Open Monday-Saturday, 10 am-6 pm Exhibition review: http://www.kulturissimo.cz/index.php?vystava-red8-vsup&detail=1226

book launch party favu but ph.d. edition 2nd of April 2013, 8 PM Kabinet Múz, Sukova 4, Brno, kabinetmuz.cz Petr Dub: selected post-conceptual approaches in the contemporary czech painting Zuzana Janečková: anonymity dictionary More information at: http://www.ffa.vutbr.cz/aktivity/vav/edice-favu-ph-d

Young Talent: Petr Dub Profile by Czech National Televison: art mix link or download here...

new publication by petr dub: selected post-conceptual approaches in the contemporary czech painting The book entitled Selected Post-conceptual Approaches in the Contemporary Czech Painting reflects the author’s expressions of the youngest artists’ generation working with the conceptual forms in the painting medium after 1996. The aim of the dissertation is to outline the conflict and overlapping of the conceptualism and painting. Apart from the development of conceptual art, the reference framework of the submitted thesis also comprises the post-modern turn in visual arts associated with a global change in its social status during the second half of the 20th and at the beginning of 21st century. The development of the domestic artistic scene and particular approaches are presented on the basis of a representative selection of the most distinctive tendencies and significant authors, being compared with the work of foreign artists. The text interprets the key theoretical treatises, reviewed responses and artists’ statements covering the domain of “contemporary painting to conceptual art”. publisher: favu but brno, 2012 ISBN: 978-80-214-4656-4 designed by: studio kolektiv photo: michal krůl

petr dub rehabilitation in the context of out-of-court settlements of consumer disputes gallery kvalitář, senovážné náměstí 17, praha 1 14. 2. – 12. 5. 2013 opening: wednesday 13. 2. 2013, 6pm curator: jana bernartová more at: www.kvalitar.cz

project trail of courage part of lecture cycle offcity architects matěj al-ali, petr dub, tomáš moravec 16. 1. 2012 from 19:00 p.m. theatre 29 in pardubice more at: www.offcity.cz

trail of courage part of paf festival project presentation matěj al-ali, petr dub and tomáš moravec 7. 12. 2012, 6:30pm palacký university art centre univerzitní 3, olomouc The festival of film animation deals with a wide conception of animation phenomena in the context of cinematography, media studies and visual arts. Here are the terms that rank among the key words and the leading topics: animation, archiving, audiovisual art, database, design, digital culture, experimental film, intermediality, cinematography, presentation, motion picture, remediation, video art. The festival of film animation came into existence in 2000 and takes place in the university city of Olomouc. Since 2008, the organization team's activities have lasted throughout the whole year. It is a unique platform in the Czech Republic within which new technologies and the traditions of film animation are functionally combined in modern art and in film production. The festival of film animation is, in the long term, open to collaboration with international film festivals, galleries and museums, archives and digital databases. Many renowned European organizations (Forma London, Filmmuseum Vienna, Re:Voir Paris etc.) support the festival. PAF Graphical design was present at the International Biennial of Graphic Design Brno (2010) and at various European book festivals. More info. at: http://www.pifpaf.cz/en/profile

trail of courage project culburb: psáry-dolní jirčany matěj al-ali, petr dub, tomáš moravec opening: 3. 11. 2012, 2pm (municipal hall psáry) ČT24 (czech television) report about the project: here... Trail of courage is designed as an educational path compounded of twelve separate spots within the urban area of Psáry. Each freestanding information sign will be divided into an illustrative part (graphical scheme of selected landscape or architectural character - eg. horizon, layout, ground-plan) and a descriptive part (explaining selected terms of urban sprawl theory - eg. single-use zone, car-dependent communities, housing subdivisions). As a support tool "a smart project leaflet-map" will be distributed among local households to explain our main goals to the inhabitants and to open up the opportunity of public discussion on selected topics. ---

would you like to play another game? 4+4 days in motin - 17th performing arts festival Casino, Pařížská 25, Praha 1 curators: Krištof Kintera a Denisa Václavová exhibition will run until: 26. 10. - 3. 11.
 2012 participating artist: Matěj Al-Ali, Robert Bárta, Jan Boháč, Aleš Čermák, Petr Dub, Václav Girsa, Lukáš Jasanský + Martin Polák, Jedinečné svatopěstitelské družstvo, Jiří Kovanda, Markéta Kubačáková, Tomáš Moravec, Marek Meduna, Aleš Novák, Florian Pugnaire a David Raffini, Alain Rivière, Janek Rous, Rudolf Samohejl, Pavla Sceranková, Jan Šerých, Pozitivní vlna, Jonáš Strouhal, Pavel Šmíd, Jiří Petrbok, Jiří Thýn, Aleksandra Vajd + Hynek Alt, Adam Vačkář, Tomáš Vaněk, Diana Winklerová, Richard Wiesner, Dušan Záhoranský, Stanislav Zámečník COMMENTED WALK WITH AUTHORS AND CURATORS OF THE EXHIBITION – KRIŠTOF KINTERA, DENISA VÁCLAVOVÁ, AND KATARINA UHLÍŘOVÁ → NOV 3 / 4 PM “…A situation. The situation might look like this: At the end of the game, the machine asks you: ‘Would you like to play another game?’ Play again? Or play a different game? What kind of question is that? You have to decide. And all of a sudden, you don’t know what you want. That machine is the world all around you. Its current state has been pre-programmed. It is the world into which we were born, and nobody asked us if we are at all interested in being in this world. And we have no idea whether the world is interested in us. Perhaps – quite certainly, in fact – we have all programmed its appearance and continue to predetermine it. It isn’t important to find fault; now is the time to find other ways of playing, since the entire system is a game. Be that as it may, the question is as infantile as it is vital to our future: Do you want to play another game? Or: Do we want to play the same game differently? The structure into which we are injected is a large and complicated strategy, a game without any ‘Undo’ or CTRL Z – and most importantly, no chance of playing the same game again. It is one big gamble.” A second man in a grey coat answers: “Sure, the worldwide structure of society is one big complicated game. But it is up to us to decide what parts and what passages of the game to play. Some of them we have to play no matter what, whether we want to or not. Art and artists know that they are a part of the game. And what we are interested in right now is what stance they will take towards it all. I am convinced that unfortunately they offer no solutions that we might be able to apply in real life. They are just playing another sort of game!” (transcribed from a secret recording of top representatives of a committee of the UN’s International Ministry for Saving the Planet ISOS , 2010, in the waters of the Adriatic Sea) The above text forms the starting point and a kind of challenge for an exhibition in a building that has experienced many very different kinds of games. Even art, with its brief intervention into the building, is just a “sort of game”, one that clearly will not save the world. It can, however, affect us emotionally and stir up the routine of our thoughts. The works that have been selected for this exhibition always in some way reflect, directly or indirectly, the concept of games, and so we may briefly feel afflicted or have a chance to observe a “monstrous installation” at a local Kunsthalle on the kitchen counter.

new locations: lazaretní, zelný trh, zemědělská more at: reframed.net

pole position spz gallery, pštrossova 8, praha 1 19. 9. – 14. 10. 2012 opening: tuesday 18. 9. 2012, 7pm curators: robert šalanda & lukáš machalický special guest: josef hohenberger

geometer’s bad dream the topič salon, národní třída 9, praha 1 28. 8. – 27. 9. 2012 opening: monday 27. 8. 2012, 6PM curator: petr vaňous motto: how to measure the coast of bretagne? (Benoît MANDELBROT) participating artists: petr dub, jiří kovářík, lukáš machalický, jiří matějů, michaela maupicová, pavel mrkus, aleš svoboda

petr dub: in medio stat virtus 17. 5. - 9. 6. 2012 VITRÍNA DENISKA, Denisova 5, Olomouc openenig: 16. 5. 2012, 6pm curator: Nina Michlovská

open studio 7: petr dub barrack 24, rybkova 23, brno, cz (google maps) in cooperation with MAGMA friday 05/25/12, 2pm-10pm saturday 05/26/12, od 10am-6pm

it is practically associated with the bush you have been beating about commented preview (petr dub, marika kupková) 13:30h, 3. 5. 2012 gallery ars veselá 39, 602 00 brno the exhibition will last: 10. 4. – 4. 5. 2012

It is practically associated with the bush you have been beating about gallery ars veselá 39, 602 00 brno guest: zdeněk porcal curator: marika kupková the exhibition will last: 10. 4. - 4. 5. 2012

11th International Contemporary Art Fair mánes gallery, prague, 21. - 25. 3. 2012 petr dub represented by art traffic gallery

apo, ibu, neuro and idiots petr dub & zdeněk porcal era zemědělská 30, brno 29. 2. - 14. 4. 2012 opening: 28. 2. 2012, 6PM more at: reframed.net

culburb - results announced: "Trail of Courage" by Matěj Al-Ali, Petr Dub and Tomáš Moravec (CZ) selected from 223 submitted proposals as one of the 20 final supported projects Project Culburb activates the public realm in the suburbs of Central European capital cities through acupuncture interventions. Using minimal means these actions set up interaction between inhabitants and have an impact on the community life. More info. at: www.culburb.eu

you can tell me! factory-art gallery participating artists: Tristram Aver (UK), Vincent Bios (IT), Bram Braam (NL), Sabine Braun-DE, Karina Correa (US), Petr Dub (CZ), Danny Gretscher (DE), Monika Grycko (PL), Minna Komi (FI), Stefan Larsson (SE), Mark Powell (UK), Wendy Sacks (US) opening: exhibition will run until: 26. 12. -16. 3. 2012 FACTORY-ART, Mommsenstraße, 27 BERLIN 10629 (City West - Charlottenburg)

city gallery prague cordinaly invites you to launch of start up 2 catalog 8.2.2012, 6 PM, Golden Ring House (GHMP) included artists: jan pfeiffer, miroslav polách, kryštof peška, martin nytra, pavla sceránková, petr dub, matěj smetana, jakub hubálek, jakub tomáš and petra římalová catalog download: here...

dolce vita: january, 2012 adam štech: czech.made | 013, together

before midnight - interview for czech television ...see more

Petr Dub & Geritt Rietveld Transformers / The Red and Blue Chair (1917-2012) More at: http: www.tyden.cz... Foto: Zdeněk Porcal

quality controller 17. 1. - 17. 3. 2012 participating aritists: Petr Dub, Eva Eisler, Adéla Fejtková, Milan Houser, Jaroslav Juřica, Markéta Kratochvílová, Libor Lípa, Josef Mladějovský, Pavel Mrkus, Jan Plecháč, Štěpán Růžička. more at: www.kvalitar.cz

petr dub, shallow gallery umakart opening: 11. 1. 2012, 6 PM curators: kateřina olivová, jiří valoch the exhibition will last: 11. 1 . - 31. 1. 2012, lidická 40, 602 00 brno http://umakart.tumblr.com/

tomáš pospiszyl - petr dub (magnus no. 2, 2011) read here...

17. 12. 2011, PechaKucha Night Ostrava (Nová Radnice) Per Dub part of: PechaKucha Night was devised in Tokyo in February 2003 as an event for young designers to meet, network, and show their work in public. It has turned into a massive celebration, with events happening in hundreds of cities around the world, inspiring creatives worldwide. Drawing its name from the Japanese term for the sound of "chit chat", it rests on a presentation format that is based on a simple idea: 20 images x 20 seconds. It's a format that makes presentations concise, and keeps things moving at a rapid pace. more info: pkno.cz

no borders. appeal to heaven dvorak sec contemporary, dlouhá 5, praha 1 Gallery dvorak sec contemporary cordially invites you to the new exhibition "No borders. Appeal to heaven," which presents young art from Central, Eastern and South East Europe The exhibition opening will take place on Friday, 11.11. at 18.00 participating artists: Agnes Toth (H) – Essl Award (2005), Marijana Zebeljan (MNE) – Palm Art Award Lipsko (2008), Nika Kupyrová (UA) – DISARONNO Photo Award (2011), Madalina Lazar (RO) - Award for the Encouragement of Young Creativity, UAP (2006), Gábor Szenteleki (H) – Laguna Prize (2010), Koller Prize (2010), Michal Černušák (SK) – Special prize Essl Award (2007), Petr Dub (CZ) - The Sovereign European Art Prize, GB (2010) and Essl Award (2011) finalist, Martin C. Herbst (A) - Art Toronto (2011) info@dvoraksec.com, www.dvoraksec.com

antithesis of painting gallery of art critics, jungmannova 31, praha 1 20.9.-16.10.2011 curators: vlasta čiháková noshiro a karel babíček participating artists: josef achrer, petr dub, vladimír houdek, petr krátký, josef mladějovský, luděk rathouský, evžen šimera, adam štěch

exhibition mapping the contemporary independent gallery scene in the Czech Republic art project: 17 bodů (Matěl Al-Ali, Jana Bernartová, Petr Dub, Tomáš Moravec) Emil Filla Gallery in Ústí nad Labem curator: Lenka Sýkorová participating artists: Matěj Al-Ali, Peter Barényi, Jana Bernartová, CZAKRA, Aleš Čermák, Veronika Danhelová, Noam Darom, Dávid Demjanovic, Daniela Deutelbaum, Petr Dub, Vojtěch Fröhlich, Isabela Grosseová, Pavel Havrda, Helena Hladilová, Martin Hrubý, Matyáš Chochola, Torarinn Ingi Jonsson, Miroslav Kohút, Jirí Maha, Vojtěch Marek, Silvie Milková, Jarmila Mitríková, Tomáš Moravec, Filip Nerad, Kateřina Olivová, Yumiko Ono, Luděk Prošek, Alexander Puškin, Michal Pustějovský, Tereza Rullerová, Adéla Sobotková, Namsal Siedlecki, Adéla Svobodová, Miloš Šejn, Dagmar Šubrtová, Viktor Takáč, Jiří Týn, Martin Zet www.gef.cz / www.actiongalleries.info

abstraction today city gallery prague (dům u zlatého prstenu) conception: olga malá participating artists: Petr Dub, Jakub Janovský, Václav Kočí, Josef Mladějovský, Martin Moflár, Alžběta Říhová, Ira Svobodová opening: 5/08/11, 18 h closing: 4/09/11 the golden ring, týnská 6, praha 1 – ungelt opening hours: 10am-6pm. free entrance. www.ghmp.cz, www.startup-ghmp.cz

shortlisted for artlist.cz text: václav hájek

abstraction today radio interview with petr dub, václav kočí, ira svobodová Download at: http: www.rozhlas.cz/radiowave/session/_zprava/soucasna-ceska-abstrakce--936027

http://m.rozhlas.cz/mozaika/radiogalerie/_zprava/914110

echoes of entorpy (petr dub > matěj al-ali + tomáš moravec) gallery of art critics, jungmannova 31, praha 1 opening: 1. 6. 2011 / 6PM (press meeting 5PM) exhibition will run until: 26. 6. 2011, open daily 11 — 6PM, except mondays

Petr Dub participating at ATELIER OPEN - 7th year of opened studios Studio (rybkova 23, brno, cz - google maps) will be opened: 17. 6. 2011 / from 2pm till 10pm 18. 6. 2011 / from 10am till 6pm

pre-opening art party Artbanka Museum of Young Art neděle 12. 6. 2011, od 17.00h, Karlova 2, Praha 1 curators: Vlado Beskid and Radek Wohlmuth participating artists: Áčka (Artur Magrot, Alessanara Svatek (CZ), Katalin Bessenye (HU), Erik Binder (SK), Bior (CZ), Jan Boháč (CZ), Paul Brainard (USA), Aleš Brázdil (CZ), Ondřej Brody (CZ), Jana Bubelinyová (SK), Michal Cimala (CZ), Crap (CZ), Ivan Csudai (SK), Jiří Černický (CZ), Michal Černušák (SK), David Černý (CZ), Nikola Čulík (CZ), Jiří David (CZ), David 87 (CZ), Petr Dub (CZ), Andrej Dúbravský (SK), Salvomír Durkaj (SK), Epos 257 (CZ), Svetlana Fialová (SK), Viktor Frešo (SK), Kurt Gebauer (CZ), Hanes (CZ), Honey 85 (CZ), Kong (CZ), Petr Písařík (CZ), Daniel Hanzlík (CZ), David Helán (CZ), Milan Houser (CZ), Denisa Hřičiščová (CZ), Jakub Hubálek (CZ), Vendula Chalánková (CZ), Katarína Janečková (SK), Jakub Janovský (CZ), Antonín Jirát (CZ), Ivana Junková (CZ), Jan Kadlec (CZ), Jan Kaláb (CZ), Kamera Skura (CZ), Martin Káňa (CZ), Stanislava Karbušická (CZ), Kateřina Karlová (CZ), Krištof Kintera (CZ), Lenka Klodová (CZ), Milan Knížák (CZ), Martin Kocourek (CZ), Václav Kočí (CZ), Martin Kochan (SK), Zdena Kolečková & Michaela Thelenová (CZ), Pavel Kopřiva (CZ), Pavel Korbička (CZ), Roland Korponovics (HU), Jiří Kovanda (CZ), Frantíšek Kowolovski (SK), Denisa Krausová (CZ), Olga Alia Krulišová (CZ), Marek Kvetán (SK), Jaroslav Kyša (SK), Lena Lapshina (RU), Petr Lysáček (SK), Jan Mahr (CZ), Martin Mainer (CZ), Jakub Matuška aka Masker (CZ), Barbora Maštrlová (CZ), Matky a otcové (Lenka Klodová, Lucie Nepasická, Marek Rejent, Martin Péč (CZ), Mefisd 86 (CZ), Pavol Megyesi (SK), Sean Micka (USA), Vojtěch Míča (CZ), Josef Mladějovský (CZ), Martin Moflár (SK), Petr Motička (CZ), Pavel Mrkus (CZ), Jakub Nepraš (CZ), Richard Nikl (CZ), Aleš Novák (CZ), Martin Nytra (CZ), Julian Opie (GB), Qebe (CZ), Kristofer Paetau (RO), Eugenio Percossi (IT), David Pešat (CZ), Jiří Petrbok (CZ), Pleb (CZ), Pode Bal (CZ), Petr Písařík (CZ), Lukáš Rittstein (CZ), Dana Sahánková (CZ), Milan Salák (CZ), Carolyn Salas a Adam Parker Smith (USA), Pavla Sceránková (SK), Martin Sedlák (SK), Miroslava Sevcik (SK), Boris Sirka (SK), Petra Sklenářová (CZ), Vladimír Skrepl (CZ), Jan Slovenčík (CZ), Jana Smělíková (SK), Richard Stipl (CZ), Václav Stratil (CZ), Jiří Surůvka (CZ), Ira Svobodová (CZ), Martin Šilhán (CZ), Evžen Šimera (CZ), Tereza Šimková (CZ), Michal Šiml (CZ), Štěpánka Šimlová (CZ), Jakub Špaňhel (CZ), Mark Ther (CZ), Zdeněk Trs (CZ), Roman Týc (CZ), Lubomír Typlt (CZ), Vladimíra Vajsová (SK), Jan Vasilko (SK), Jan Vytiska (CZ), Diana Winklerová (CZ), X-Dog (CZ), Milan Začal (CZ), Dušan Zahoranský (SK), Dragana Živanovič (SRB)

petr dub at artprague 2011 (special guest of organizers) 6 June – opening ceremony at 6 pm in Mánes (on invitation only) 7 – 11 June – open 11 am to 7 pm 12 June – open 11am – 6pm (Thursday 13 June NOCTURNO - open till 9pm)

ESSL MUZEUM, bauMax, VIENNA INSURANCE GROUP, galerie hlavního města Prahy you are cordially invited to the exhibition of 10 candidates from czech republic oppening: 30. 5. 2011, 7 PM city gallery prague, staroměstské námestí 1, praha 1 opening word: Martin Essl (CEO bauMa), Ing. Milan Bufka (city gallery prague) a Dr. JirÍ Švestka (jury member), honorable guest: MUDr. Jirí Besser (minister of culture) candidates: Josef Bareš, Jan Brož, Petr Dub, Světlana Fialová, Friederike Höppner, Martina Holá, Edita Pattová, Erik Sikora, Roman Štetina, Viktor Valášek

10. 5. 2011, 5 PM commented visit to custodian city galery prague, dům u zlatého prstenu týnská 6, praha 1

http://www.rozhlas.cz/radiowave/session/_zprava/petr-dub-kustodka--887179

custodian city gallery prague (Dům U Zlatého prstenu) curator: Sandra Baborovská conception: Karel Srp opening: 27/04/11, 18 h closing: 28/04 – 31/05/11 Dům U Zlatého prstenu, Týnská 6, Praha 1 – Ungelt opening hours: 10AM-6PM. Free entrance. www.ghmp.cz, www.startup-ghmp.cz

SERLACHIUS MUSEUM location: Mantta, Finland type: international competition status: idea year: 2011 project team: Chybik Kristof Associated Architects,Tomáš Babka, Milan Domkar, Ales Javurek, Jan Plavka, Andrej Turcan consultants: Petr Dub, Rostislav Korycanek, Petr Suchanek renderings: miss3.cz more at: www.chybik-kristof.com

chemnitz.cz (works dedicated to the end of world order) weltecho gallery, annaberger straße 24, de – 09111 chemnitz (http://galerie.weltecho.eu) opening: saturday march 5th 2011 at 7pm closing: with nerad (www.anymadestudio.cz) and babypy (www.soundcloud.com/babypy) concert - friday april 8th 2011 opening hours: thuesday-friday 5pm-9pm or contact: oscar@weltecho.eu, +493719188055

dvorak sec contemporary, dlouhá 5, praha 1 curators: Milan Salák a Radek Wohlmuth participating artists: Alena Adamíková, Štěpán Beránek, Aleš Brázdil, Jana Bubelinyová, Marek Číhal, Petr Dub, Andrej Dúbravský, Slavomír Durkaj, Světlana Fialová, Jakub Hubálek, Denisa Hřičiščová, Vendula Chalánková, Natalie Chalcarzová, Markéta Jáchimová, Katarína Janečková, Jakub Janovský, Václav Kočí, Petr Krátký, Denisa Krausová, Josef Mladějovský, Martin Moflár, Martin Nytra, Ondřej Oliva, David Pešat, Alžběta Říhová, Dana Sahánková, Zdeněk Spour, Ira Svobodová, Martina Morávková Šedová, Miroslava Ševčík, Martin Šilhán, Zdeněk Trs, Vladimíra Vajsová, Jan Vytiska, Milan Začal, Dragana Živanovič info@dvoraksec.com, www.dvoraksec.com

Super End and Some Other Ugly Stories Cafe Kosmos, Dauchauer Str. 7, München Opening: Friday January 14th at 7PM (The Exbibition Will Last until March 11th) Openning Hours: Monday-Friday 12PM-1AM, Saturday-Sunday 18PM-3AM More information: www.cafe-kosmos.de

reframed & unframed (2010) foreword: tomáš pospiszyl text: petr dub language editor: markéta žáčková graphic design: janabernartova.com download: here published at the occasion of participating in the sovereign european art prize 2010

participating artist: Richard Beenen, Matthew Douglas, Petr Dub, Lorenzo Durantini, Tomas Hein, Velika Janceva, Seba Kurtis, Elisabeth Molin, Vera Mulyani, Marje Murusalu, Tim Plamper, Chantal Riekel, Joanna Scislowicz – amongst others.

THE SOVEREIGN EUROPEAN ART PRIZE PRESS RELEASE about The International Sovereign European Art Prize 2010 exhibition organized by London’s Barbican Center this year, 6th-20th June (2010) The 25,000 Sovereign European Art Prize Shortlist Announcement The prize received a record number of entries, with artists nominated by art experts from over 30 European countries. The shortlist was selected by this year’s judges Sir Peter Blake (artist), Tim Marlow (White Cube), Philly Adams (Saatchi Gallery), Gavin Turk (artist), Robert Punkenkhofer (Art&Idea), Joseph Backstein (Moscow Biennale) and Nasser Azam (artist). Not only did the entries show a strong return to painting, but as Robert Punkenhofer said “The more than 350 entries clearly documented the wonderful diversity and strength of Europe?s artistic scene. The prize will certainly raise the visibility of some of the most promising painters and photographers from the continent.” The judges will decide the winner of the £25,000 first prize during the exhibition of the shortlisted works at the Barbican Centre which will be held from 9 – 20th June, 2010. The general public are also invited to cast their votes from today online at www.sovereignartfoundation.com. The artist with the most votes will win the public vote prize of £1,000. All works, excluding the main prize winner, will be available to purchase at a gala auction dinner, offering collectors and members of the public the fantastic opportunity to buy works by these rising stars of contemporary art. Prices start from the affordable £400 to over £30,000. All proceeds will be split 50:50 between the Foundation and the artists. This year The Sovereign Art Foundation will use the funds raised to support the Barbican Centre Trust, helping them to continue their fantastic arts outreach programme in the London area. Howard Bilton, Founder and Chairman of the Sovereign Art Foundation said “We are delighted by the strength of this year’s shortlist, for this our fourth European competition. We hope the auction will raise a significant sum to support the inspiring work of the Barbican Centre Trust. We invite everyone to go to the exhibition, and to support the artists by coming to the dinner or by placing an absentee bid on their favourite works by these critically acclaimed artists.” A full set of images of the short listed works are available from www.SovereignArtFoundation.com The thirty shortlisted artists are as follows: Rinus Van de Velde – Belgium Michael Van den Abeele – Belgium Tomislav Čeranić – Croatia Damir Stojnić – Croatia Petr Dub – Czech Republic Maarit Murka – Estonia Katri Kuparinen – Finland Sophie Combes – France Gabriel Vormstein – Germany Pétur Thomsen – Iceland David Godbold – Ireland Oliver Comerford – Ireland Mirko Smerdel – Italy Valentina D’Amaro – Italy Piero Golia – Italy Kristaps Gelzis – Latvia Liga Purmale – Latvia Evel´na Deičmane – Latvia Eun Young Lee – Netherlands Primoz Bizjak – SIovenia Marek Kvetán – Slovakia Javier Arce Bueno – Spain Gonzalo Puch – Spain Andreas Hagenbach – Switzerland Andrew Palmer – United Kingdom Nicolas Ruston – United Kingdom Daniel Baker – United Kingdom Uta Kogelsberger – United Kingdom David Birkin – United Kingdom Oliver Clegg – United Kingdom